Raja Natwarlal: Music Review

 Music Composer: Yuvan Shankar Raja

Starring: Emraan Hashmi & Humaima Malik

The music of Raja Natwarlal has high expectations from the beginning. The Hindi music album not only has Emraan Hashmi's name behind it, but also South Indian music director, Yuvan Shankar Raja's. To raise the bar even higher the film's namesake the critically acclaimed, Mr.Natwarlal, which had a weighty music score with, Pardesia. Raja Natwarlal, starring Emraan Hashmi and Pakistani actress, Humaima Malik, is a romantic comedy, so expect a fusion of fun and passion. 

Raja Natwarlal's soundtrack begins with Bollywood's favorite singer, Arjit Singh, singing Tere Hoke Rehengay. This song starts slowly at first with a slow piano and slowly melts into slow electronic beats. Our music director sticks with the usual Hashmi style of his former K.K songs, with the "Ooo ooo" that we saw in "Zara Sa" from Jannat 2 and "Tu Hi Meri Shab Hai" from Gangster. This songs toggles between dramatized keyboard, electronic beats, and guitar, and evolves into a Western classical song as the percussion picks up. There is quite a variety of instrumentals in this songs that are brilliantly swirled together with Singh's strong vocals, leaving nothing wanted. A truly unique song. 4.5/5

Yuvan Shankar Raja really brings in the South Indian flavor into Dukki Tikki. This fun dance number is exactly something you would expect to see in a comedy. Expect an interesting video paired with this one. Complete with whistling and horns, this song is one of the more pleasant different sounding songs that Mika Singh has done before. 5/5

The unconventional qawwaliesque number Kabhi Ruhani Kabhi Rumani is by far the best song on the Raja Natwarlal soundtrack. Intricate classical instrumentals pair beautifully Benny Dayal's voice to breathe life into the song. Just like Tere Hoke Rehengay it transforms dramatically, but in a more refined elegance. The slow tabla playing in the back with skillful chimes and piano sets this song apart from the typical qawwali number. 5/5

We have found Raja Natwarlal's item number in Namak Pare. Our music director is again able to offer something new to the table, utilizing popular singers Mamta Sharma and Anupama Amod in a different way. This song fuses Western instrumentals, classical Indian instrumentals, and the classic South Indian song. Anupama's voice works well to complement Mamta Sharma's voice, although he doesn't get much in. From the beginning this song is able to hook the listener. 5/5

The songs of Raja Natwarlal takes an unusual turn with Flip Your Collar Back. It is very catchy, and offers variety like its predecessors, but the hook of the song doesn't seem to work exactly. Perhaps because it gets really gritty and annoying with the "Flip your collar back off to the sides". This song seems like it could potentially turn into a popular dance craze, like Dhinka Chika, but it does not play too lightly on the ears. 2/5

Tere Hoka Rehengay (reprise) is sung by Shweta Pandit. This song tends very acoustic, and the softer beats allow Pandit's voice to shine brighter through. This song is refreshingly a lighter take on the original song, and besides the lyrics is not very similar from the original. As good as, if not better than the original song, this song truly shines as one of the masterpieces of the soundtrack. 5/5

Raja Natwarlal's soundtrack is by far one of the best of this year.The precision of the soundtrack surpasses all of Emraan Hashmi's previous soundtrack With almost every song having the potential to become a hit, this movie should propel further in cinema. Yuvan Shankar Raja does an amazing job of pulling all different types of genres and musical elements together to create a skillfully produced album. 

My Picks:  Kabhi Ruhani Kabhi Rumani, Tere Hoke Rehengay (reprise), Dukki Tikki, Namak Pare, Tere Hoke Rehengay 

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Daawat-e-Ishq: Music Review

  Starring: Parineeti Chopra & Aditya Roy Kapur

Music Composer: Sajid - Wajid

Daawat-e-Ishq, or Feast of Love, is a romance about a young saleswoman, Parineeti Chopra, and Aditya Roy Kapur, a charming young chef who woos her with his spicy kebabs and greasy naan. The music is composed by the Yash Raj banner favorite, Sajid-Wajid, who gave us Ek Tha Tiger, and just like other Yash Chopra films the standards are high for this one. This sweet romance brings in seasoned favorites like, Sonu Nigam, Sunidhi Chauhan, Shreya Ghoshal, and Javed Ali, who each have dozens of classic romance songs under their belt. Daawat-E-Ishq promises a lot more than it has to offer. 

Daawat-e-Ishq's album kicks off with a classical style qawwali title track that  has already been recently sending waves across Indian cinema. Daawat-e-Ishq ropes in Javed Ali in his comfort zone, utilizing all his vocal capacity with alaps. Tabla combines beautifully with harmonium among other  instruments to add further to the complexity of this song. This song tends to sound a little too much like a title track, as it is very conversational, making it a more situational number. However, as the song progresses, Sunidhi Chauhan jumps in and the pace increases. 3.5/5

Mannat, Daawat-e-Ishq's core song features Sonu Nigam, Shreya Ghoshal, and Keerthi. The instrumentals are richly done in this song, as the title song. However as rich as these instrumentals are, this song instrumentals are not multilayered, offering variety. Offering a touch of the Middle East, this is a Sonu song entirely, with bits and pieces of Shreya and Keerthi. This song is a little more serious in tone than one what expect from this type of romantic song, but nevertheless is a welcome addition to the soundtrack. 4/5

In the Mannat (reprise) Shreya Ghoshal and Sonu Nigam trade places. She is now the lead singer, and does a great job in Nigam's shoes. Sonu Nigam takes the backseat in this one, however it is still a fantastic song. Depending on your singer preference, either duet is good. They are both equals in vocal talent. 4/5

Sounding like a typical Holi song, Rangreli, brings in lots of traditional Indian instruments, like dhol, alongside brass instruments, and brings in a lot of scraps from the title track into the melody. The drumming is heavy, and Shreya Ghoshal's voice is playful and intertwines well with Wajid's voice. Although this song is a burst of fun, and has excellent use of instrumentals, there is nothing really distinct about this song in the end. 3/5

Shalmali Kholgade enters the Daawat-e-Ishq soundtrack with Shayarana. This female solo is the least intricate of all the songs in this music soundtrack. It is the typically strong female song we have seen from the Yash Raj Camp, like Jazba, though lacking the overall energy. The strange guitar beats, snapping, and Shalmali Kholgade's Western sounding singing when she says the "Shayarana ooo oo " hook, brings in a cheesy inspirational country hook into the song that make it sound very Western and contemporary, making it different from the rest of the soundtrack. 2.5/5

The music gets back on course once again with a rock infused classical song, Jadu Tone Waaliyaan by Shabab Sabri who does an excellent job of classical performance. The electric guitar portions seem to overwhelm the traditional portions, as well as the strange use of a saxophone midway. Not really a harmonious merging of East and West, but not horrible either. 3/5

The Daawat-E-Ishq instrumental is a good background music for the album, but is not something to focus on entirely for listening pleasure. It goes in too many directions to listen to alone. Although, it sounds less complex than the original song, it really doesn't offer anything for the listener to do anything with. 2/5

In the end, the Daawat-E-Ishq soundtrack is not really a feast of love, or a feast of superb music for that matter. It doesn't have horrible songs, but it doesn't really have enough good songs to be considered a remarkable album. For so many skilled singers and products, Daawat-E-Ishq's soundtrack did not live up to the Yash Banner expectations of good music.

My Picks: Mannat, Mannat (reprise), Daawat-e-Ishq

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Kick: Music Review

Starring: Salman Khan, Jacqueline Fernandez, Nawazuddin Siddiqui, & Randeep Hooda 

Music Composers: Himesh Reshammiya & Meet Bros Anjann

Himesh Reshammiya is continuing on with his 2014 Bollywood escapade in Salman Khan's latest film, Kick, after the musical disaster that was Humshakals. Alongside him, are the Meet Bros Anjann still rivaling in the Hate Story 2 success of Pink Lips.  In this 12 track Bollywood music album, we see repeats of several songs. Having multiple versions of songs seems to be the trend in Bollywood as of late. We have also been seeing many actresses and actors stepping up to the plate and singing behind mike, like Shraddha Kapoor in  Ek Villain and Shruti Hassan in D-Day. Salman Khan lends his vocals to the Kick soundtrack. His leading lady, Jacqueline Fernandez, and co-stars Nawazuddin Siddiqui and Randeep Hooda, unfortunately, have not contributed to the vocals of this album. 

The Kick soundtrack opens with duo Mika Singh and Palak Mucchal's Jumme Ki Raat. This is exactly the type of song we would usually see Mika Singh in. Himesh seems to be sticking to these desi folk compositions, like Humshakal's Khol De Dil Ki Khidi, also sung by Mika Singh. However, Reshammiya definitely improves on this song injecting it with more life, and making it sound like a pumped up version on Bodyguard (title track), whistling included. Muchhal's vocals come across as decent, but weak. Sunidhi Chauhan, or a stronger female vocalist would have been the prime selection for this kind of song. The winning instrument is,in fact, the Shennai.  Jumme Ki Raat (Version 2) Remix amps up the drums and base, making the song much more enjoyable than the original.  3/5 & 4/5

Jumme Ki Raat (Version 2) features Salman Khan and Palak Muchhal as the vocalists. It is exactly the same as the original version of Jumme Ki Raat. Sadly, Salman Khan does not excel above Mika Singh here. He seems a bit pitchy, almost screaming the lyrics and unable to reach the heights that Singh took it to. Jumme Ki Raat (Version 1) Remix also the same as the Mika Singh's remix version, instead featuring Salman Khan. 3/5 & 3.5/5

Salman Khan is able to redeem himself  in Kick with the duet Hangover . The song is surprisingly mellow for the title, Hangover. Shreya Ghoshal and Salman Khan's voices melt into one another in Meet Bros Anjann composition. This Kick song is multidimensional as this starts as a high class track with the violins preceding Khan's voice, and evolves into an R&B style song as they repeat "Hangover". Perhaps, Hangover, was not the best word choice, as it detracts from the quality from the song, but as in Meet Bros Anjann style they do title this Hindi song with a English word. Thankfully, it wasn't anything like Pink Lips, Pinky or Baby Doll. Something in Hindi seems to be the better choice for Kick, but somehow this track doesn't disappoint too much. 3.5/5 

Hangover (Remix) keeps Salman Khan and Shreya Ghoshal, but adds an additional, and arguably unnecessary layer of beat to the song, detracting from the orginial beauty of the song. 3/5

Hangover Promo Video

The Hangover is redone in Hangover (MBA Swag). This version is the kind of version you would expect from Hangover combined with Swag. The violins and guitar are stripped from this version and are replaced with EDM fused with Punjabi style Desi Beats. We see the some Hindi rapping from the Meet Bros Anjann additionally. This song does detract from Salman Khan's original, and tends to work on the nerves after some time. 3.5/5

Tu Hi Tu is the second romance song in Kick, featuring rising singer, Mohammad Irfan. Irfan has been up an around the scene, making his territory with Banjaara from Ek Villain. His vocals are just as impressive as his previous songs. Light and airy, he sings this song solo, reaching incredible highs and lows with his voice. This song has a light tone, beginning with piano, and having light guitar and violins later on. Extremely tasteful. 4/5

However, the downside of this song has six versions that I will pay little attention to. So the Tu Hi Tu (Version 1) also by Mohammad Irfan, kicks off with a rap and then a reggae, and R&B beat. No. 2/5

Neeti Mohan also has her own version, Tu Hi Tu (Reprise) and Tu Hi Tu (House Mix). Her reprise version is identical Mohammad Irfan's version and is on par with his vocals. The House Mix takes an EDM reggae twist, that is not at all feasible for this type of romantic song, and uses words like "Grind on Him" and "Shine on Him". 4/5 & 2/5

The third set of versions of Tu Hi Tu are done by Salman Khan, in Tu Hi Tu 2 (Version 2) and Tu Hi Tu (Version 2) Remix. This song doesn't match to Mohammad Irfan's version, but isn't horrible either. Khan's voice sounds a little raspy here and isn't as smooth as Irfan's original vocals. This fortieth Kick remix the same as Mohan's remix and just as bad. 3/5 & 2/5

Yaar Na Miley featuring Yo Yo Honey Singh and Jasmine, is surprisingly the only song that isn't remixed on the Kick soundtrack. This is supposedly the item number of the soundtrack, with Nargis Fakri as the main dancer, which is pretty much all she is good for at this point in her career. This EDM song is a little bland, and offers nothing we haven't heard before. Lyrically, like all item numbers, the item girl is boasting how great she is. Yo Yo Honey Singh's rap is the only bright part of this soundtrack, however he is only it in for a little bit of time. 3.5/5

In the end, Himesh Reshammiya outdoes himself in the Kick soundtrack. Despite the album being weighed down with multiple remixes, this Hindi soundtrack is able to come out as a winner. The soundtrack will definitely help promote the soundtrack, but according to history a Salman Khan movie can't be a failure during Eid. 

My Picks: Tu Hi Tu, Jumme Ki Raat (Version 2) Remix, Yaar Na Miley, Hangover

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Sexuality in Bollywood: Treatment of Homosexuals and Transvestites Part Two

Isha Koppikar and Amrita Arora "Girlfriend"

The mature stance which My Brother…Nikhil and Fashion occupied, starkly contrasts Girlfriend [2004]. This film shines the spotlight on lesbianism and has one of the leading ladies, Isha Koppikar, playing the role of a lesbian. The movie represents Koppikar as an insane, violent lesbian fueled by her jealousy towards the male who has suddenly whisked away the woman she lusts after, Amrita Arora. The ground of this movie is shaky. Koppikar’s reason for despising men is a result of her father’s physical abuse on her mother.

Even though Koppikar and Arora’s relationship is blatantly homosexual in nature, Arora seems totally unaware of this. During her explanation to her boyfriend, Aashish Chaudhary, Arora innocently explains that she is not considered a lesbian, because alcohol impaired her judgment the night she had intimate relations with Koppikar. Her boyfriend readily accepts this explanation as legitimate. As her aggression towards men soars, Koppikar becomes more mannish. She cuts her hair into a short boy cut, stereotypical to lesbians, and dresses more boyish. Her unstable mental balance and her attachment to Arora, causes her to attack and eventually try to kill Chaudhary. Girlfriend inaccurately illustrates lesbians as women possessing masculine traits in its unhinged plot. It makes no attempt to sensibly approach lesbianism, but just offers to entertainment to the audiences with a bizarre story-line. 

Abhishek Bachchan and John Abraham "Dostana"

Another entertainer of recent times, Dostana [2008], pokes fun at homosexuality by exaggerating the feminine qualities of gay men. This big budget film focuses on the two leading men, Abhishek Bachchan and John Abraham, who pretend to be gay to rent an rooms in an apartment with their mutual love interest, Priyanka Chopra. As straight men in the movie and real life, Bachchan and Abraham’s representation of homosexual males is over the top. Their girlish behavior in the scene where Bachchan and Abraham explain how they met has the ability to offend the gay community repeatedly.

Stereotypes are stressed with in this scene. When they meet, Bachchan is seen a flamboyant outfit topped with a rainbow scarf and Abraham is dressed with a see through shirt accessorized with a spiked collar. There are sailor outfits, flowers, and joyous skipping in the later moments of the scene. True gay characters also exist in this film, but these characters are extremely feminine as well. Tarun Mansukhani, the director of Dostana, says “ ‘If you scream from the rooftops in favour of gay issues, it will not work. Give it some time. Let us begin by having some fun with it.The time will come when the nation would open up and we'd see their true and sensitive representation in commercial cinema.’”.

Donno Y Na Jaane Kyun

By experimenting with homosexuality and humor in his film, Manusukhani is softening the Indian audiences to the representation of homosexuality in Bollywood film. In the future, this could give other filmmakers a chance to explore homosexuality as a central plot, perhaps more thoughtfully, like My Brother…Nikhil. Nevertheless, the fact a mainstream, blockbuster movie possesses principal, seemingly gay characters is confirmation that India is becoming more receptive of movies that represent different sexual orientations.

Read Part One Here: Sexuality in Bollywood: Treatment of Homosexuals and Transvestites Part One

Hate Story 2: Music Review

Starring Surveen Chawla & Jay Bhanushali

Music Directors: Mithoon, Meet Bros Anjjan, Arko Pravo Mukherjee, Rashid Khan

Hate Story 2 is another Bhatt sequel that is trying to stay afloat in Bollywood. As with Murder and Raaz  the Bhatt's achieve at selling their films with superb music and sexuality. What separates the Hate Story series from the other Bhatt movies is that the firstHate Story did not have a good soundtrack and the film did not offer even one well known actor or actress. Starring in this movie is Punjabi/Tamil/Telegu Surveen Chawla and Jay Bhanushali, relatively unknown to Hindi cinema. However, the music of Hate Story 2 has been sending waves across India before its release. Boasting multiple music directors, like the famous Mithoon and Meet Bros Anjjan, Hate Story 2's album stands among the hit Bhatt soundtracks.

Hate Story 2's soundtrack starts of strongly Aaj Phir Tumpe Pyaar Aaya Hai. If you are young enough to remember the 1988 film, Dayavan, starring Madhuri Dixit and Vinod Khan, this song should register with you immediately, as it is a remake. This remake of Laximikant-Pyarelal's song featuring Pankaj Udhas and Anuradha Paduwal has been replaced and refined by Arjit Singh and Samira Koppikar. This Arko Pravo Mukerjee composition refines, slows and increases the sensuality of the original. Overall an improvement over the original, but nevertheless a remake. 4/5

The Aaj Phir Tumpe Pyaar Aaye Hai (Remix) like all remixes has unnecessary techno and English like "if the shoe fits can you be my Cinderella" or "damn shawty that's very depressing". The remix detracts from the overall tone of the song and makes it into something unnecessary. 2.5/5

The next song Pink Lips is definitely the item number of the soundtrack. The club number composed by the Meet Bros Anjjan and sung by Khushboo Grewal definitely separates itself from the item numbers of these days. They have even roped in ex-pornography star Sunny Leone as the featured dancer for this song. Immediately catchy this song should be something memorable both off screen and on screen. Pink Lips the special Meet Bros Anjjan mark on it. 4.5/5

The Pink Lips (Remix) unlike the Aaj Phir Tumpe Remix this remix does take the song to different levels. Since it is an item club number the extra layer of added beats without the involvement of English lyrics puts the remix above the level of the original song. This is the club version of the more tame original. 5/5

Hate Story 2 gives us Kabhi Aayine Pe sung the famous K.K who gave the Bhatt's some of their their early hits, like for Tu Hi Meri Shab Hai. We see composer Rashid Khan put  K.K back in his comfort zone with Kabhi Aaiyne Pe, but this song does nothing to really change the pace of his usual songs. This slow ballad is, of course. beautiful, but so common with K.K that its not very special. 3.5/5

Hate Story 2 is full of remixes. Actually for every song there is a remix. We are given Kabhi Aaiyne Pe (remix).  This remix takes away from the romantic, ballad feel of the song. Nothing special, but a faster more techno version of the original. 3/5

Hai Dil Ye Mera brings in composer, Mithoon's and his new favorite singer Arjit Singh. This is by far the most romantic song in Hate Story 2. We can see this one perfectly blending in with the Ek Villain or Aashiqui 2. This soft, mellow song brings the pain through Singh's voice. Though it is a very pleasant listen, we don't see Mithoon leave his comfort zone either. He is playing safe with piano and Arjit Singh. 4/5

Hai Dil Ye Mera (remix) offers nothing pleasant, like most of Hate Story 2 remixes. This is probably more of the more useless remixes on the album. Unnecessary once again. 3/5

In the end, the Hate Story 2 soundtrack is very enjoyable. Being a collaboration of many accomplished music directors and singers, the songs of Hate Story 2 come across as melodious and varied. This is the standard Bhatt soundtrack and will definitely attract Bhatt fans. Besides the one good remix, the fact that half the soundtrack was remixes is highly unnecessary.

My Picks: Pink Lips (remix), Aaj Phir Tumpe Pyar Aya Hai, Hai Dil Mera

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Lekar Hum Deewana Dil: Music Review

Starring: Armaan Jain & Deeksha Seth

Music Composer: A.R Rahman

Expectations have always been set very high for A.R Rahman music. Unfortunately, we have not seen much of Rahman's compositions as of recently. A.R last produced Raanjhanaa in 2013, and earlier this year Highway in Bollywood. After the Slumdog Millionaire success, A.R has diverted his attention away from Hindi and Tamil cinema and onto Hollywood. Just last month he composed the music for Million Dollar Arm, where we see Mad Men's John Hamm's journey to India to recruit India's finest cricket players for baseball. Needless to say, all the movies mentioned here, regardless of cinema, have been all spectacular.

It is not unusual for Rahman to compose for a smaller movie like, Lekar Hum Deewana Dil, because these are just the kinds of small ventures Rahman would usually do. In Lekar Hum Deewana Dil, we see newcomer and supposed grandson of Raj Kapoor, Armaan Jain, merge with Bollywood first timer, semi-seasoned Tamil/Telegu actress, Deeksha Seth, in yet another Bollywood film on the joys of young romance. Basically, this is a soundtrack around the likes of Jaane Tu...Ya Jaane Na. Coincidentally or not, Lekar Hum Deewana Dil's soundtrack, like Jaane Tu...Ya Jaane Na's has a song as its namesake, this time from Yaadon Ki Baraat.

Deeksha Seth and Armaan Jain "Maloom"

Lekar Hum Deewana Dil begins with Khalifa featuring A.R Rahman, Shweta Pandit, and Suzanne D'Mello. A.R Rahman definitely draws some influence from M.I.A's portions from Oh Saya from Slumdog Millionaire. This song, however, takes a unconventional, but interesting techno/electronica vibe fused with a middle eastern beat. Rahman's portions and music compositions are on point here as usual, but if I had to name one the downfall of this song would be the contribution of the two female vocalists which are utterly unnecessary. 4/5

The second track on the album, Maloom, one of least memorable songs in Lekar Hum Deewana Dil. This song again feature A.R Rahman, but with Hriday Gatani and Jonita Gandhi. This song has a careless feel is enhanced with light instrumentals like guitar and whistling. Lyrically beautiful and musically simple, this song takes a different route from Khalifa. This is exactly what you would expect to see from a movie like Lekar Hum Deewana Dil. The song does take a slightly annoying quality when an over eager female voice, probably Jonita Gandhi, intrudes. Though is one of the most refreshing songs on the album. 4/5

Pakistani vocalist, Shiraz Uppal vocalizes Ala Hada. This song has a light airy feel like Maloom, but manages to uplift more. This is quite reminiscent of Jaane Tu Ya Jaane Na's muisc, especially with the guitar, but separates itself into a song with more refined taste. We hear smoother instrumentals like violin and chimes throughout this song, to further blend into the soft tones of Uppal . 3.5/5

One could only guess what kind of song Mawali Qawwali is by the name, but even if you did you would be wrong. Yes, Deeksha Seth is the dancer in Mawali Qawwali. This song by Raghav Mathur and Tanvi Shah is one of the most annoying songs I have heard in a long time. If the first couple seconds don't turn you off initially some banjo mixed with annoying voices with grate at your insides and irritate you to no end. Please don't bother with this one. Too much going on. 1/5

Just the average hike through the forest with the essentials

Beqasoor is Lekar Hum Deewana Dil's only slow romantic duet, skillfully crooned by Nakash Aziz and Sheweta Pandit. There is not really much going in terms of piano instrumentals, all the changes of pace in the two vocalists voice. 3.5/5

When you click on a song titled Tu Shining, you already know its going know its not going to be. This song is heavily populated with English words, sung annoyingly by Hriday Ghattani. This song starts ok, but as it picks up the pace it gets inversely irratating. Not as bad a Malwali Qawwali, but still not good. I only wonder what Rahman was thinking for this one. 3/5

In the end, Lekar Hum Deewana Dil's soundtrack does not live up to A.R Rahman's usual hype. Take the few good songs and leave the horrible songs here. Some songs still have the Rahman magic, but the others definitely do not.

My Picks:  Maloom, Ala Hada, Khalifa, Beqasoor 

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CityLights: Music Review

Starring: Raj Kumar Yadav, Patralekha

Music Composer: Jeet Ganguli

Any Bhatt involvement in any Bollywood film usually indicates a fantastic musical score, and such is the case for CityLights. Produced by Mukesh Bhatt, under the Vishesh banner this film carries serious weight in the industry when it comes to musical content and film content. Bengali music producer, Jeet Ganguli reemerges from the woodwork as he toggles between Bengali and Hindi Cinema. His last two Hindi cinema ventures, Raaz 3 and Youngistan, were widely popular. Boasting experienced singers like Ustad Rashid Khan and Usha Utup with younger newcomers like Arjit Singh and Neeti Mohan, this CityLights fuses both of the best worlds.

CityLights begins with Muskurane by Arjit Singh.  This song captures the romantic yearning reminiscent of Raaz 3.  Lyrically and musically, this song follows the somber trepidation of most Bhatt film music, but is different from its predecessors with the special Ganguli touch.The angst of Singh's vocals are smoothed elegantly with a touch of piano and guitar 5/5.

Later in the album, we have a second rendition, Muskurane (unplugged) by Mohammad Irfan. Mohammad Irfan is a rising star in Bollywood, he was seen most recently singing for the Bollywood film Ek Villain, which I address in my music review. This slows the tempo down more than Arjit Sigh's version, bearing a lighter piano sound mixed with violins. Even though slightly different, this song is better than Singh's version. 4/5

The most comfortable way to sit

Darbadar by Neeti Mohan is a haunting song obviously set in the cityscape that  manages to keep the somber trend of the album. Mohan's voice has the tone to masterfully capture a feeling of wandering and loneliness that is expressed throughout CityLights. Again, a rich piano sound and deep emotions adds to the quality of the song. 5/5

Arjit Singh returns once again to CityLights with Ek Charraiya, and this is not the last we see of him. Hitting higher notes than he did with Muskurane, this song is a little more folksy than the first two on the album. Ganguli, I'm sure, has made sure that this captures the essence of Bengali folk songs with the slow beat. This is definitely one of the more optimistic songs on this album, however refined the happiness is kept. Despite the differentiation with Bengali folk, this song doesn't really offer too much. Decent. 3.5/5

Unsurprisingly, Ek Charraiya (unplugged) follows with Ganguli himself behind the microphone. This song is nearly identical to the first version and is not really as unplugged as it says it is.It depends on personal preference, which singer you choose, Jeet Ganguli or Arjit Singh. Ganguli's voice seems to be more suited, this time, to his own composition. 4/5

Arjit Singh has his third win on CityLights with Soney Do. Although this song works to only add to the slow pace the album has set, it intrinsically has its own personal music quality compared to the other. The alaps that Singh does towards the ends of the song add value to this song. Although, it can be more seen as a song to move the film along, it does have its own place, content wise on the album. It has rich instrumentals like the songs before it. 3.5/5

The album ends with an upbeat CityLights(Title Song) that deviates from the rest of the album . Ustad Rashid Khan piece starts beautifully as it is classical against electric guitar. This song gets tarnished quickly, when Usha Utup, who bears a voice bordering on masculine enters the song. Think back to the title song of Hare Rama Hare Krishna in the seventies. She has the hook of the song, unfortunately, and presides over a majority of the song, thus bringing it down with her. Despite all against it, this song is still decent. 3/5

Jeet Ganguli is able to bring the music of CityLights to the heights of Bhatt soundtracks. The music of this film surpasses many of the current albums that are out in Bollywood at the moment with songs that are rich in both musical and lyrical content. Expect this soundtrack to create wave throughout Bollywood.

My Picks: Muskarane, Darbadar, Ek Charraiya 

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