Daawat-e-Ishq: Music Review

  Starring: Parineeti Chopra & Aditya Roy Kapur

Music Composer: Sajid - Wajid

Daawat-e-Ishq, or Feast of Love, is a romance about a young saleswoman, Parineeti Chopra, and Aditya Roy Kapur, a charming young chef who woos her with his spicy kebabs and greasy naan. The music is composed by the Yash Raj banner favorite, Sajid-Wajid, who gave us Ek Tha Tiger, and just like other Yash Chopra films the standards are high for this one. This sweet romance brings in seasoned favorites like, Sonu Nigam, Sunidhi Chauhan, Shreya Ghoshal, and Javed Ali, who each have dozens of classic romance songs under their belt. Daawat-E-Ishq promises a lot more than it has to offer. 

Daawat-e-Ishq's album kicks off with a classical style qawwali title track that  has already been recently sending waves across Indian cinema. Daawat-e-Ishq ropes in Javed Ali in his comfort zone, utilizing all his vocal capacity with alaps. Tabla combines beautifully with harmonium among other  instruments to add further to the complexity of this song. This song tends to sound a little too much like a title track, as it is very conversational, making it a more situational number. However, as the song progresses, Sunidhi Chauhan jumps in and the pace increases. 3.5/5

Mannat, Daawat-e-Ishq's core song features Sonu Nigam, Shreya Ghoshal, and Keerthi. The instrumentals are richly done in this song, as the title song. However as rich as these instrumentals are, this song instrumentals are not multilayered, offering variety. Offering a touch of the Middle East, this is a Sonu song entirely, with bits and pieces of Shreya and Keerthi. This song is a little more serious in tone than one what expect from this type of romantic song, but nevertheless is a welcome addition to the soundtrack. 4/5

In the Mannat (reprise) Shreya Ghoshal and Sonu Nigam trade places. She is now the lead singer, and does a great job in Nigam's shoes. Sonu Nigam takes the backseat in this one, however it is still a fantastic song. Depending on your singer preference, either duet is good. They are both equals in vocal talent. 4/5

Sounding like a typical Holi song, Rangreli, brings in lots of traditional Indian instruments, like dhol, alongside brass instruments, and brings in a lot of scraps from the title track into the melody. The drumming is heavy, and Shreya Ghoshal's voice is playful and intertwines well with Wajid's voice. Although this song is a burst of fun, and has excellent use of instrumentals, there is nothing really distinct about this song in the end. 3/5

Shalmali Kholgade enters the Daawat-e-Ishq soundtrack with Shayarana. This female solo is the least intricate of all the songs in this music soundtrack. It is the typically strong female song we have seen from the Yash Raj Camp, like Jazba, though lacking the overall energy. The strange guitar beats, snapping, and Shalmali Kholgade's Western sounding singing when she says the "Shayarana ooo oo " hook, brings in a cheesy inspirational country hook into the song that make it sound very Western and contemporary, making it different from the rest of the soundtrack. 2.5/5

The music gets back on course once again with a rock infused classical song, Jadu Tone Waaliyaan by Shabab Sabri who does an excellent job of classical performance. The electric guitar portions seem to overwhelm the traditional portions, as well as the strange use of a saxophone midway. Not really a harmonious merging of East and West, but not horrible either. 3/5

The Daawat-E-Ishq instrumental is a good background music for the album, but is not something to focus on entirely for listening pleasure. It goes in too many directions to listen to alone. Although, it sounds less complex than the original song, it really doesn't offer anything for the listener to do anything with. 2/5

In the end, the Daawat-E-Ishq soundtrack is not really a feast of love, or a feast of superb music for that matter. It doesn't have horrible songs, but it doesn't really have enough good songs to be considered a remarkable album. For so many skilled singers and products, Daawat-E-Ishq's soundtrack did not live up to the Yash Banner expectations of good music.

My Picks: Mannat, Mannat (reprise), Daawat-e-Ishq

Keep Reading:
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Ek Villain Music Review

Lekar Hum Deewana Dil Music Review

CityLights Music Review

Shuddh Desi Romance: Music Review

 Music Director: Sachin-Jigar

Starring: Parneeti Chopra,Sushant Singh Rajput,

Vaani Singh

Shuddh Desi Romance is a very interesting soundtrack to say the least. Quirky and fun, these are pleasant desi tunes that play wonderfully with the ears. We dance between high and low, creating a wonderful fusion between old school and new school Bollywood. Shuddh Desi Romance soundtrack bears a resemblance to the soundtrack format of Madras Cafe, since a large portion of the soundtrack in devoted to instrumentals. This Yash Raj film has plenty of acclaimed singers to pump this soundtrack up with unconventional sounds for the youth.

Beginning the soundtrack is the much anticipated, Tere Mere Beech Mein, which is already loved by everyone since the release of its cutesy promo video, which has the young couple doing laundry, cooking, and dancing in towels. This is the sweet romantic duet in the movie and its between our favorite Chauhans (who bear no relation to each other) Sunidhi Chauhan and Mohit Chauhan. It is so desi, especially with its Hinglish and old school Western instrumentals. Typical girl and boy banter throughout gives the song a unique perspective. Its sounds like happier song from the Barfi soundtrack. 4.5/5

Gulabi Shuddh Desi Romance's paints the soundtrack pink with color. This almost sounds like a dance style number like Dum Dum from Band Baaja Baraat, kind of something made for Ranveer Singh. It has a slight R&B flair combined with a desi flavor. Sung beautifully by slightly autotuned  Jigar Suraiya  and Priya Suraiya and paired with an wide array of addictive instrumentals, this song is a winner. 5/5

Divya Kumar, famous from Allah Meherbaan from Ghanchakkar, takes the third song in Shuddh Desi Romance. Chanchal Mann Ati Random, is truly random. It starts one way and takes a kind of jarring oddish turn. It is eccentric in a good way with the direction it takes. Its part rock, part qawaali, and part of who knows what. Towards the end it looses control in a good way. The songs oddities may throw some listeners off. 3.5/5

Shuddh Desi Romance, the title song comes next. It is a duet between two of the other current favorites, Benny Dayal and Shalmali Kholgade. This song takes a similar turn that Teri Mere Beech Mein had, except for more harmonium. This title track doesn't play out as a situtational number like most title tracks tend to do and carves out a niche in the soundtrack itself. Its a pleasurable, feel-good song, like the others songs. By using Hinglish and crazy instrumental arrangements, this song is totally unique. 4/5

Here come the instrumentals. They take some the flavor from the prior songs in Shuddh Desi Romance, but are more subdued. Mujhe Kiss Sakte Ho take a minimal approach, with a soft touch of piano, guitar, harmonium, and other instrumentals. It is a very gentle sound and could definitely be listened to alone. 4/5

Love in Jaipur has some uncredited female singer. It takes on a spicy salsa beat fused with a bit of desi of course. It sounds like the typical traditional women gathering song, but later take a grocery store style slow jazz style. This will definitely excel on the silver screen behind the characters. 3/5

Tezz Wala Attraction has some whistling and shares the same breezy flavor our beginning songs had 3/5

Good bahus smoke in the bathroom,
 not in front of people

Boyfriend Banogey is more ballsy than the previous instrumentals. It has coarser beats and shares some of Gulabi's melody. This could definitely be the theme number for our Kai Po Che hero Sushant Singh Rajput. 3/5

Bhanwara Man Bhatake has the same flavor, though slightly more traditional, it has brief male singer part, but has no credited singer either. Not much to listen to here. 2/5

Shuddh Desi Romance pretty much has all solid numbers, despite most being instrumentals. Sachin-Jigar made a definite effort to compose some unique songs and pulled in inspiration from many different genres. These songs will make you great, and  transport you back to early Bollywood and rocket you towards future Bollywood. Shuddh Desi Romance is so tastefully fun it puts a smile on your face without sounding ridiculous or childish.

My Picks: Gulabi, Teri Mere Beech Mein, Shuddh Desi Romance, Mujse Kiss Sakte Ho

What's your favorite song?
BollywoodBegum

Once Upon A Time in Mumbaai Dobara: Music Review

Music Composer: Pritam

Starring: Akshay Kumar, Imran Khan, Sonakshi Sinha

The first Once Upon a Time in Mumbaai had one of the best soundtracks in recent times. Tracks like, Pee Loon and Tum Jo Aaye Zindagi Mein, are hits in recent memory. With Pritam as the composer and a A-List cast   Once Upon a Time in Mumbaai Dobara/Again/2 soundtrack has a lot to live up to. For a soundtrack with only four songs, let's hope every song makes an impression.

The soundtrack begins with Yeh Tune Kya Kaha featuring Pakistani singer, Javed Bashir. His classical, mature vocals are perfect for this type of number. This song sounds like a good leftover for the first OUATIM and boasts a lot of rich traditional sounds like the tabla and harmonium. This qawaali starts slows and escalates and transforms with rich instrumentals. 4
/5

Tayyab Ali is another qawaali number in Once Upon A Time in Mumbaai Dobara, this time with Javed Ali. This is a remake of  seventies song Tayyab Ali from Amar Akbar Anthony's which featured Rishi Kapoor. This song recreates it into a very desi, quirky drunken sounding number with some English, like "Tell me why" and "Beautiful Baby Baby". After the minute the song kicks into full gear, but its gets boring quickly. Can't see anything new offering in this qawaali, compared to the original except for the childish spin it takes, and richer beats. They could have deviated from the original song in a better way. 3/5

Tu Hi Toh Khwahish sounds like an item number from the late seventies/early eighties. Its discoesque theme, mixed with the Middle Eastern beats and Sunidhi Chauhan's rough vocals sounds awkward. This song should have been left in the seventies where it belongs. It sounds like Pritam is trying to do something similar to Once Upon A Time in Mumbaai's Parda Parda, but Chauhan's panting and  interludes that sounds like they jumped out a of a crime thriller make the song sound messy. Too much going on here. Not sure what genre to classify this one. 2/5

Once Upon A Time in Mumbaai Dobara ends with another track with Javed Ali, this time singing with Sahir Ali Bagga. Chungliyaan is our Pee Loon like song. Its the only pure romantic number on the soundtrack. This song is pretty, but it doesn't really show us anything drastically new. Shahir Ali Bagga's voice enhances Javed Ali's well. 3.5/5

In the end only two of the four songs really make an impression. Once Upon a Time in Mumbaai Dobara/Again, doesn't live up to its legacy. It actually fails horribly in comparison to the original Once Upon in Mumbaai's greatness, due to limited volume of four songs. Pritam could have give us more songs, or at least better quality ones.

My Picks: Yeh Tune Kya Kiya, Chungliyaan

Check Out My Other Reviews:
Bajatey Raho: http://bollywoodbegum.blogspot.com/2013/07/bajatey-raho-music-review.html
Luv U Soniyo: http://bollywoodbegum.blogspot.com/2013/07/luv-u-soniyo-music-review.html
Chennai Express:http://bollywoodbegum.blogspot.com/2013/07/chennai-express-music-review.html
Nasha: http://bollywoodbegum.blogspot.com/2013/07/nasha-music-review.html

Bollywood Begum

Luv U Soniyo: Music Review

Music Director: Vipin Patwa

Starring: Neha Hinge, Tanuj Virwani 

Prepare to be romanced, well at least in a cheesy way. What else can a movie called Luv U Soniyo promise? The soundtrack is kind of a corny joyride, but nevertheless a ride. This soundtrack combines Mexican delights with the Indian beats. Be prepared for disaster!

Luv U Soniyo starts with one of my favorite singers, K.K, with Tumsa Nahin Hai Koi. The piano puts a beautiful spin on the song, but this song is really like any empowering romance song. K.K's soft vocals rise almost unbearably when he almost screams "Tums Nahin Hai Koi". Anwesha Sarkar's voice comes in towards the later and softens the song a little. Average. 2.5/5

Pyar Tera by Sonu Nigam has a sweet melody complete with piano like the previous song. It almost sounds like it has been pulled out of a nineties soundtrack. There is a corny English part which talks about how great love is. Just no. 2/5

Pyar Tera is done again in Love U Soniyo in Pyar Tera (Unplugged) sung again by Sonu Nigam, This one is a definite improvement on the original. The melody is kept nice and pure, but it still sounds nineties. 3/5

Luv U Soniyo is our title track by Remo Fernandez. This is where we first see our Mexican flavor. This song captures Mexico in a very annoying way, it almost sounds jarring. We hear phrases and words like, pencil, half a dil, bale bale, bhangra bhangra. This song is trying to do too much, and comes across as irritating 2/5

Eww, you got something  nastaaay
on your back. 

Chalo Chalte Hai Mexico is another Mexican tinged song sung by our sweet Shaan. This a softer selection, and thankfully sounds nothing like our title track. It comes across as endearing, but the English pieces "Can't you see you belong to me" spoil it. Still one of the better songs. 3/5

Sunidhi Chauhan, Sonu Nigam, and Joy come together for Youre My Valentine. If you have a thinking close to mine, you are already cringing at this title. This is the ultimate cheesy number of the soundtrack. Its so contrived and sounds like a thousand other songs. It is a mix of romance,dance, and pure cheesiness, especially when they say "Yo-o-u A-rrr-eee My Val-ent-iiiine". 2/5

Palko Hai Phool has the duo of Shreya Ghoshal and Shaan. This song mentions Valentines Day again. From the beat to the lyrics this song is a definite no. Too much half-baked romance. 2.5/5

Love You Soniyo (Mashup) is horrible. Most mashup songs never work. Its just an unsatisfying combination of the entire soundtrack. Don't listen. 0/5

Love You Soniyo has the power to make you cringe at its cheesy romantic songs. The compositions are like leftover compositions of the 90's and early 2000's. Stay away from this one!

My Picks If I had to Choose:  Chalo Chale Mexico, Pyar Tera (Unplugged)

Was this soundtrack that bad as I'm making it seem? You tell me!
BollywoodBegum

Check Out My Other Reviews!
Once Upon A Time in Mumbai Dobara: http://bollywoodbegum.blogspot.com/2013/07/once-upon-time-in-mumbai-dobara-music.html
Chennai Express:http://bollywoodbegum.blogspot.com/2013/07/chennai-express-music-review.html
D-Day: http://bollywoodbegum.blogspot.com/2013/06/d-day-music-review.html
Boyss Toh Boyss Hai:http://bollywoodbegum.blogspot.com/2013/07/boyss-toh-boyss-hai-music-review.html

Boyss Toh Boyss Hain: Music Review

Music Composers: Anuj Garg, Sayanthi-Shailendra, Willy, Dhiren Raichura, Dhwanit Joshi

Starring: Raj Kumar Yadav, Dhruv Ganesh, Aarya Kumar, Divya Dutta, Gulshan Grover 

Forget the others, I'm interested in the
mannequin without a head

What to say about the music of Boyss Toh Boyss Hain?  First of all the movie has quite a name, so it certainly needs a soundtrack to back it up. We have a variety of composers here, so each track has its own flavor. Boyss Toh Boyss Hain is exciting and experimental.

To kick off Boyss Toh Boyss Hai we have the title track, Boyss Toh Boyss Hain. This Hinglish track is sung by Neeraj Sridhar and Willii. Even though this is a title track, it is actually pretty catchy, especially when the female voice cuts in and says "Hai Ram, Boys Toh Boys Hain". Definitely one of the best on the album. 4/5

The next song we have is Mika Singh's Gol Gol. This song is tinged with Punjabi techno. The "Gol Gol" part  instantly catchy, but it does have English interludes saying "Shake your Booty", similar the booty shake in Chennai Express', One Two Three Four. Click Here For My Chennai Express: Music Review  But besides that booty shake piece, this is a fantastic track with tons of variation 3.5/5

Our most Punjabi style number is Kachha Papad features Labh Janjua and Anuj Garg. There is a interesting mix of rock, R&B, and Punjabi here. The guitar solos are wonderful, but besides these short intervals of instrumentals there is nothing to separate this song from other Punjabi numbers. Decent. 3/5

Out of all these eligible bachelors, I would
choose the creepy silver man in the middle

Mohit Chauhan's voice brings a good balance to the Boyss Toh Boyss Hain album in Sab Kuch Badal Gaya. This song literally begins with all clouds. It is starts of light and airy with a light flute beat, then  builds an inspirational sounding romance song. However, it is interrupted by a voice singing in English, Sayanthi-Shailendra. This spoils the song for only momentarily, until violins and sweet pianos come to the rescue. This is a different kind of song, and not something to be ignored. 3.5/5

Coffee Shop Mein is a song you would expect from a movie called Boyss Toh Boyss Hain. Shashaa Tirupathi's voice is seductive in this entertaining Hinglish number. This is a fast paced number flows rapturously, but there is not necessarily a hook, since the whole song is it a hook itself. 3/5

The composers pull Sunidhi Chauhan and Anup Jalota in for the uplifting song, Dreaming. This song has a light electronic beat, and is sung in Hinglish once again. The lyrics are a little cheesy, but the vocals of both singers are truely magnificent.  Jalota's voice is reminiscent of Bollywood from the seventies and eighties, while Chauhan brings in a modern twist. 4/5

Boyss Toh Boyss Hain returns for a remix. Boyss Toh Boyss Hain Remix picks up the electronic beat and speeds it up a little. There is not a huge difference between the two. 3.5/5

For a smaller film, with mostly unknown composers, Boyss Toh Boyss Hain soundtrack is very good. The composers genuinely tried to create unusual songs while staying true to the Bollywood roots. This soundtrack can work beyond the silver screen and into your car.

My Picks: Boyss Toh Boyss Hain, Dreaming, Sab Kuch Badal Gaya, Gol Gol

Check Out My Other Reviews:
D-Day: http://bollywoodbegum.blogspot.com/2013/06/d-day-music-review.html
Ramaiya Vastavaiya: http://bollywoodbegum.blogspot.com/2013/06/ramaiya-vastavaiya-music-review.html
Issaq:http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html

Which is your favorite Song?
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Chennai Express: Music Review

Music Director: Vishal-Shehkar
Starring: Shahrukh Khan and Deepika Padukone

So, after my Chennai Express: First Look Review I have come back to you with my music critique. Vishal-Shehkar has produced soundtracks for recent popular Shahrukh Khan films, so its  not surprising they would be the composers for Chennai Express. Chennai Express' songs, for the most part, are a ride to South India.

Chennai Express unfortunately begins with One Two Three Four sung by Vishal Dadlani and Hamsika Nayr, This song begins with Tamil verses and flows in to Hinglish for the remainder of the song. This song starts well, and is definitely catchy, but when the English verse "One Two Three Four, Get on the Dance Floor" comes in the song gets very odd. Especially when they say booty shake. These immature lyrics could have easily been done before, but there was a reason why no one else tried this. 2.5/5

Chennai Express redeems itself with Chinmayi Sripad and Gopi Sundar in Titli. This romantic duet song begins beautifully with Tamil verses and continues in Hindi with Tamil slicing through. Its ethereal instrumentals almost give it a magical touch. Chinmayi's and Gopi's smooth voices transition well with each other. Titli is reminiscent of Chandni Chowk to China's Tere Naina. Refined and delicate it is winner all the way. Officially obsessed. 5/5

Four! Booty Shake Booty Shake!

Tera Rastaa Chhodoon Na unites Amitabh Bhattacharya and Anusha Mani for a romantic number. This song plays a little on Titli's beats, but its a little fast paced. Bhattacharya sounds uninterested, while Mani excels. This song is purely situational, so it might go well with the film's narrative, but its not good to listen alone. 3/5

Next is Kashmir Main Tu Kanyakumari  featuring Sunidhi Chauhan, Arjit Singh, and Neeti Mohan. I'm glad to see Arjit Singh-Sunidhi combo.This song is not bad, but it sounds like it should be in a musical. It's cute, and definitely one of the better tracks of the album. Arjit Singh and Sunidhi's voice coincide with Shahrukh and Deepika's. 4/5

The fourth song is Ready Steady Po, primarily featuring Vishal Dadlani and a handful of singers. This song falls into the obscure desirap/electronica/dubstep category. This song is mostly rapped in English and is at the most mildly desi flavored. Its almost like a unbearable second theme for the movie.What were they thinking here? 2/5

"Our soundtrack is disappointing."
"I know. It's sad, isn't it?

SP Balasubramanyam returns to Bollywood with the song Chennai Express. This song starts off horribly, but when Jonita Gandhi's voice comes in it picks up pace a little. I was astonished that this song also had dubstep and a lot of English verses inside. The only good part is the hook "Chenai-ai-ai-ai", and there is nothing more to say. SP's voice has definitely aged. This is supposed to be the theme for the movie, and it's exactly what it is. 2.5/5

Dubstep comes back once again in Titli (Dubstep Version). This song doesn't compare to the original version of Titli, but can work for dubstep listeners, as it ties the major elements of dubstep together with all the right Bollywood elements. 4/5

Chennai Express Mashup is just a deranged swirl of all the songs in the soundtrack with yet another dubstep twist. There is nothing good about this. At moments it gets loud, unbearable and headache inducing. It will most likely be playing as the ending credits are rolling. 1/5

Chennai Express' soundtrack ultimately fails because of its overwhelming use of dubstep and English verses. The soundtrack could have been better if they stuck more to the Indian roots instead of trying to tackle multiple genres. I expect better from Vishal-Shehkar.

My Picks: Titli & Dubstep Version, Kashmir Tu Kanyakumari

Check out my other reviews!

Did you like this soundtrack?
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Yeh Jawani Hai Deewani: Music Review

Music Director: Pritam

Starring: Ranbir Kapoor, Deepika Padukone, Kalki Kochelin, Kunaal Roy Kapur

Pritam is back with a new soundtrack, Yeh Jawani Hai Deewani. This Ranbir-Deepika comeback rom-com gives leeway for Pritam to experiment. This soundtrack brings the energizing rhythm, while bringing cool, refreshing songs into the mix. Of course, we can always expect a few memorable songs from Pritam album (stolen or not stolen) and here is no different.

Yeh Jawani Hai Deewani begins with the dance number Badtameez Dil. I have to admit I was obsessed with the 1 minute and 45 second long trailer until the release of the full length song. The sound of the saxophone and the trumpets add a classy touch to the nonsensical lyrics.Words flow seamlessly into each other like aloo bhatt, puri bhatt, and  bollywood, hollywood, jollygood. There is lots of rhymes and alliteration, so once Benny Dayal's voice pulls you in it never lets you go. However, Shefali Alvaris' voice is not very pleasant when it comes in at the end of the song. It sounds electronic and autotuned, and does not tie into Benny's smooth word flow. To me it should have been Benny solo. Nevertheless, still a good song. 4/5

Next is Balam Pichkari featuring Shalmali Kholgade and Vishal Dhadlani. Shalmali's voice is a bit eccentric, but its just what it takes to kick-start the song, after the traditional beginning. This is fun, quirky Holi song, we have traditional sounds with violin and whistling. The lyrics are as fun as the beat, and Shalmali and Vishal make an amazing pair. This song is a winner all the way through. 5/5

Our Mohit Chauhan track is Illahi. The song begins with chanting and guitar. This is definitely the young man refreshing song of the album. Illahi separates itself from the first two songs. In the interludes, there is a chorus of children chanting "Na Na Na". Because of the chorus wouldn't listen to this song on its own, but I think this works very well in the movie. 3/5

Yeh Jawani Hai Deewani picks up again with Dilliwali Girlfriend featuring Arjit Singh and Sunidhi Chauhan.  This one has small touches of bhangra and has a desi tune with some English thrown in the middle. This sounds like a typical Pritam wedding song, almost like Soniye Ve Dhak Dhak from Kismat Konnection. Pritam seemed to copy his own style this time. Its a good track, but its really nothing new. 3/5

There are two versions of Kabira. Kabira (Original) features Tochi Raina and Rekha Bhardwaj. This song slow rock melody and both artists' voice are raw with pain. The second version, Kabira (Encore) by Hashdeep Kaur and Arjit Singh has much more soul. We have a more traditional song with a lighter melody in this outing. The chorus and Indian instrumental enhances the beauty of this song.  The encore is like a slow, peaceful ride through the countryside. 3/5 & 5/5

Sreeram and Shilpa Rao's Subhanallah is the romantic duet of Yeh Jawani Hai Deewani. Its a light, uplifting song about falling in love that borders on cheesy at
times. To me, it sounds like a re-creation of Shukraan Allah from Kurbaan. Nevertheless, its fresh and exhilerating, with Sreerams squeaky clean vocals. 4/5

Lastly, there is Ghagra our item number staring Madhuri Dixit. So we have a older woman's voice, Rekha Bhardwaj, and a younger man's voice, Vishal Dhadlani. This song begins slow, but picks up pace. However, it lacks the spice and flash that other item numbers have. There are some hooks, but more is needed to make this song a chartbuster. 3.5/5

In the end, Yeh Jawani Hai Deewani has a few fantastic numbers, but most of the songs are lacking elements that will help them stand out from other songs like its kind.

My Picks: Balam Pichkari, Kabira (Encore), Badtameez Dil, Subhanallah

Issaq: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html

Ghanchakkar: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviewsghanchakkar.html

Lootera:http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-lootera.html

Raanjhanaa: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviews-raanjhanaa.html

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