Humshakals: Music Review

The Men of Humshakals in 3
different roles

Starring: Ritesh Deshmukh, Saif Ali Khan, Ram Kapoor, Bipasha Basu, Esha Gupta

Music Composer: Himesh Reshammiya 

Similar revolting soundtracks like Humshakals were once heard from our composer Himesh Reshammiya when he went off the deep end in the mid 2000's. He practically sung every song and starred in many flop films. Although recently he somewhat has had success with his film The Expose, Reshammiya seems to be trying too hard again. At least he is not dominating this whole soundtrack. In Bollywood, excluding Salman Khan Ajay Devgan, or Akshay Kumar films, music for comedies are not held to a standard of any regular soundtrack due to the fact that they are usually ridiculous. With an experienced composer with tons of hits and successes like Reshammiya and mid-grade actors like Saif Ali Khan and Ritesh Deskmukh, the bar for Humshakals is very low.

The Humshakals album begins its continuous up tempo soundtrack with Caller Tune by Neeraj Sridhar and Neeti Mohan. This duet is obviously influenced by Reggaeton songs which attributes for its catchy beat. It is heavy with English phases with forced rhymes like tune and moon and random violins. However, Mohan and Sridhar are perfect for this song. The hook "Caller Tune Baby" simultaneously annoys and snags. This is the kind of a song a listener would love to hate. By far the best song on the album. 4/5

Surprise surprise, there is an item number in Humshakals. With the item number queen, Bipasha Basu starring we hear phrases like Billo Rani in Piya Ke Bazaar Mein. It is not the traditional item song, but it is not unordinary. Palak Muchhal's voice is a little timid for this three woman item number, and Reshammiya's weak voice doesn't add much to it either. A little folksy and not very catchy, this item number will not please the masses. 3/5

Piya Ke Bazaar Mein Still

Just Look Into My Eyes gives Humshakals a peppy upbeat feel. Ash King and Neeti Mohan are the perfect choice infuse youth into this album. Perhaps the lyrics a little basic, but if you don't pay attention to exactly what they are saying and listen to the electropop beat, it is not too bad. Although verging on a cheesy teen song, this is levels above the other songs on the album, and does not fit in at all in terms of melody. 4/5

Barbaad Raat combines the female vocalists, Shalmali Kholgade and Sanam Puri in this R&B Hip Hop number. Following the trend of the other songs, this one also uses English in pieces. The clapping and trumpets add an interesting twist, but the "Ooo woaao' pieces don't really do much to really hook you fully to the song. 3.5/5

The ladies are out for a swim

I'm sure everyone was wondering where Himesh Reshammiya's solo song was coming in Humshakals. It is humorously titled Hum Pagal Nahin Hai, and can be taken with dual meaning. Wondering if Reshammiya thinks he's crazy or as shown on silver screen. We see rather interesting rhymes again, such as Obama and DeGama. This song isn't as headache inducing as the ones before it, but is pretty boring and becomes nasal towards the end. 3/5

What would a comedy soundtrack be without Mika Singh? Mika pairs teams up with Palak Muchhal for Khol De Dil Ki Khidi which somehow manages to fuse a Punjabi rhythm with an exasperating country banjo. This song annoys is unforgivable ways that the Caller Tune didn't have. There are so many things going on in this song it is hard to pinpoint what is really happening. This song will, of course, add to the comedy of the movie but it is annoying for the listener to listen for their own enjoyment. 3/5

In the end, Humshakals offers a lively, yet irritating music. This soundtrack somehow manages to exceed expectations, slightly. It is a pretty good effort on Reshammiya's part, although the songs in which his vocals are incorporated in are by far the worst.

My Picks: Caller Tune, Just Look Into My Eyes

Ek Villain: Music Review

Music Directors: Mithoon and Ankit Tiwari 

Starring: Sidarth Malhotra, Shraddha Kapoor & Ritesh Deshmukh 

Mithoon has been composing hit after hit for the Bollywood film industry and he returns once again alongside Akit Tiwari for romantic thriller Ek Villain. The last time Mithoon paired with film director, Mohit Suri, was during the extremely successful album, Aashiqui 2. The music of Ek Villain is packed with just the melody and emotion that you would expect from a Suri film.

The album kicks off with the romantic number, Galliyan, sung solely by Ankit Tiwari, vocalist of the popular Sun Raha Hai from Aashiqui 2. Galliyan starts a little harshly with coarse guitar and then simmers down to a softer tone. Flute instrumentals melt magically with violin. Tiwari's vocals are slow and controlled as usual. 4/5

Galliyan (unplugged) takes a more somber tone. It offers none of the grit Tiwari's Galliyan had and takes a route with just soft guitar and violin. The actress now singer Shraddha Kapoor starts the songs off with hauntingly beautiful vocals, and about three quarters of the way, Ankit Tiwari joins in, keeping on same vocal level as Kapoor. However, the unplugged version of Galliyan really hits its peak when the two sing in unison. Unlike most unplugged version songs, this song offers a totally different experience. 4/5

Mohammad Irfan's solo, Banjaara, takes a slow melodious, Sufi-esque journey. This particular song comes closer to your heart the most it listens to you. There is a subtle loveliness in the instrumentals, and Irfan's voice takes the right path. There is beauty in simplicity in this song, 4.5/5

Pakistani rocker, Mustafa Zahid, joins in the the soundtrack of Ek Villain  with Zaroorat. We hear Zahid in his comfort zone, much like the songs he has given us for Heropanti and Ragini MMS, and for his band Roxen. Unlike it's predecessors, Zaroorat instills more pain and anger. Complex guitar amplifies his voice and takes the song to new heights. Mithoon is able to differentiate this song by complimenting Zahid's voice with unique dramatic instrumentals.  4.5/5

Continuing with Ek Villain's Pakistani music trend is Soch The Band's, Awari. The talent is no less than the usual artists coming in the industry. What separates Soch from the other Pakistani bands is its instrumental versatility. Joining Soch is the the female vocalist, Momina Mustesan. This song begins with staggered piano, which slowly mixes with Mustesan's ghostly vocals. The song dynamically transforms from a somber song into something more powerful with both guitar and sitar and Adnan Dhool of Soch's vocals. This is by far the most unique song on the album. 5/5

"Bugs!"

Arjit Singh offers something special in the emotional, Humdard. This song lyrically reaches into the trenches of romantic pain. Just like Galliyan, this song is controlled and slow, but doesn't offer has much complexity as the songs before it, except for the strange xylophone instruments that falls at intervals in between the vocals. Besides the vocal quality, this song too relaxed, and thus becomes almost boring. 3/5

All in all, Ek Villain delivers exactly what you would expect from a Mithoon and Ankit Tiwari soundtrack. With an array instrumentals and skilled talent from India and Pakistan, these composers were able to create an emotional, high quality musical score. We can only hope to see Mithoon and Ankit Tiwari collaborate with Mohit Suri in the future.


My Picks: Awari, Zaroorat, Banjaara, Galliyan, Galliyan (unplugged)

Grand Masti: Music Review

Music Directors: Anand Raj Anand, Sanjeev, Darshan

Starring: Ritesh Deshmukh, Aftab Shivdasani, Vivek Oberoi

The music composers were obviously not serious when they composed songs for Grand Masti. There are only five songs on this comedy's soundtrack, and three of them are barely legitimate songs. For a sequel to such a successful comedy, we certainly expect better. Comedies aren't supposed to have amazingly ethereal soundtracks, but at least something along the lines of Ghanchakkar is expected.

Which gay bar should we hit next?

Grand Masti is off to a shaky start with the title track, Grand Masti featuring and composed by Sanjeev, Darshan. They sing alongside female vocalist, Payal Dev. The song begins with English rap and flows into Hindi. It begins to get irritating when they say "Grand Masti Grand Masti Pa Pa Pa Pa" over and over again, however the background beat is solid. 2/5

Zulmi Zulmi is sung by Mika Singh. This annoying countryish beats are as equally bad as Singh's drunken voice. The lyrics are jarring and the instrumentals are headache inducing. Nothing good here. 2/5

Tu Bhi Mood Hai continues with the same kind of trumpet and flute instrumentals the rest of the Grand Masti has. These songs are hard to tell apart from another. This Anand Raj Anand composition is a duet between Wajid Khan and an unaccredited female singer. 3/5

Classy

Grand Masti (Remix) is takes the irritation of the original to the maximum capacity of horribleness. Its just upsetting and techno. Nothing else to say.  1/5

Grand Masti (Mashup) isn't even a real song. Horrible horrible mix of all the songs together. No. 0/5

In the end, Grand Masti is a grand failure. It's like the composers put no real thought into creating a meaningful soundtrack. All of the songs melt into each other to form a huge pool of disaster. There is next to nothing redeeming about this.

Was this soundtrack as bad as I make it seem?

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