Raja Natwarlal: Music Review

 Music Composer: Yuvan Shankar Raja

Starring: Emraan Hashmi & Humaima Malik

The music of Raja Natwarlal has high expectations from the beginning. The Hindi music album not only has Emraan Hashmi's name behind it, but also South Indian music director, Yuvan Shankar Raja's. To raise the bar even higher the film's namesake the critically acclaimed, Mr.Natwarlal, which had a weighty music score with, Pardesia. Raja Natwarlal, starring Emraan Hashmi and Pakistani actress, Humaima Malik, is a romantic comedy, so expect a fusion of fun and passion. 

Raja Natwarlal's soundtrack begins with Bollywood's favorite singer, Arjit Singh, singing Tere Hoke Rehengay. This song starts slowly at first with a slow piano and slowly melts into slow electronic beats. Our music director sticks with the usual Hashmi style of his former K.K songs, with the "Ooo ooo" that we saw in "Zara Sa" from Jannat 2 and "Tu Hi Meri Shab Hai" from Gangster. This songs toggles between dramatized keyboard, electronic beats, and guitar, and evolves into a Western classical song as the percussion picks up. There is quite a variety of instrumentals in this songs that are brilliantly swirled together with Singh's strong vocals, leaving nothing wanted. A truly unique song. 4.5/5

Yuvan Shankar Raja really brings in the South Indian flavor into Dukki Tikki. This fun dance number is exactly something you would expect to see in a comedy. Expect an interesting video paired with this one. Complete with whistling and horns, this song is one of the more pleasant different sounding songs that Mika Singh has done before. 5/5

The unconventional qawwaliesque number Kabhi Ruhani Kabhi Rumani is by far the best song on the Raja Natwarlal soundtrack. Intricate classical instrumentals pair beautifully Benny Dayal's voice to breathe life into the song. Just like Tere Hoke Rehengay it transforms dramatically, but in a more refined elegance. The slow tabla playing in the back with skillful chimes and piano sets this song apart from the typical qawwali number. 5/5

We have found Raja Natwarlal's item number in Namak Pare. Our music director is again able to offer something new to the table, utilizing popular singers Mamta Sharma and Anupama Amod in a different way. This song fuses Western instrumentals, classical Indian instrumentals, and the classic South Indian song. Anupama's voice works well to complement Mamta Sharma's voice, although he doesn't get much in. From the beginning this song is able to hook the listener. 5/5

The songs of Raja Natwarlal takes an unusual turn with Flip Your Collar Back. It is very catchy, and offers variety like its predecessors, but the hook of the song doesn't seem to work exactly. Perhaps because it gets really gritty and annoying with the "Flip your collar back off to the sides". This song seems like it could potentially turn into a popular dance craze, like Dhinka Chika, but it does not play too lightly on the ears. 2/5

Tere Hoka Rehengay (reprise) is sung by Shweta Pandit. This song tends very acoustic, and the softer beats allow Pandit's voice to shine brighter through. This song is refreshingly a lighter take on the original song, and besides the lyrics is not very similar from the original. As good as, if not better than the original song, this song truly shines as one of the masterpieces of the soundtrack. 5/5

Raja Natwarlal's soundtrack is by far one of the best of this year.The precision of the soundtrack surpasses all of Emraan Hashmi's previous soundtrack With almost every song having the potential to become a hit, this movie should propel further in cinema. Yuvan Shankar Raja does an amazing job of pulling all different types of genres and musical elements together to create a skillfully produced album. 

My Picks:  Kabhi Ruhani Kabhi Rumani, Tere Hoke Rehengay (reprise), Dukki Tikki, Namak Pare, Tere Hoke Rehengay 

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Kick: Music Review

Starring: Salman Khan, Jacqueline Fernandez, Nawazuddin Siddiqui, & Randeep Hooda 

Music Composers: Himesh Reshammiya & Meet Bros Anjann

Himesh Reshammiya is continuing on with his 2014 Bollywood escapade in Salman Khan's latest film, Kick, after the musical disaster that was Humshakals. Alongside him, are the Meet Bros Anjann still rivaling in the Hate Story 2 success of Pink Lips.  In this 12 track Bollywood music album, we see repeats of several songs. Having multiple versions of songs seems to be the trend in Bollywood as of late. We have also been seeing many actresses and actors stepping up to the plate and singing behind mike, like Shraddha Kapoor in  Ek Villain and Shruti Hassan in D-Day. Salman Khan lends his vocals to the Kick soundtrack. His leading lady, Jacqueline Fernandez, and co-stars Nawazuddin Siddiqui and Randeep Hooda, unfortunately, have not contributed to the vocals of this album. 

The Kick soundtrack opens with duo Mika Singh and Palak Mucchal's Jumme Ki Raat. This is exactly the type of song we would usually see Mika Singh in. Himesh seems to be sticking to these desi folk compositions, like Humshakal's Khol De Dil Ki Khidi, also sung by Mika Singh. However, Reshammiya definitely improves on this song injecting it with more life, and making it sound like a pumped up version on Bodyguard (title track), whistling included. Muchhal's vocals come across as decent, but weak. Sunidhi Chauhan, or a stronger female vocalist would have been the prime selection for this kind of song. The winning instrument is,in fact, the Shennai.  Jumme Ki Raat (Version 2) Remix amps up the drums and base, making the song much more enjoyable than the original.  3/5 & 4/5

Jumme Ki Raat (Version 2) features Salman Khan and Palak Muchhal as the vocalists. It is exactly the same as the original version of Jumme Ki Raat. Sadly, Salman Khan does not excel above Mika Singh here. He seems a bit pitchy, almost screaming the lyrics and unable to reach the heights that Singh took it to. Jumme Ki Raat (Version 1) Remix also the same as the Mika Singh's remix version, instead featuring Salman Khan. 3/5 & 3.5/5

Salman Khan is able to redeem himself  in Kick with the duet Hangover . The song is surprisingly mellow for the title, Hangover. Shreya Ghoshal and Salman Khan's voices melt into one another in Meet Bros Anjann composition. This Kick song is multidimensional as this starts as a high class track with the violins preceding Khan's voice, and evolves into an R&B style song as they repeat "Hangover". Perhaps, Hangover, was not the best word choice, as it detracts from the quality from the song, but as in Meet Bros Anjann style they do title this Hindi song with a English word. Thankfully, it wasn't anything like Pink Lips, Pinky or Baby Doll. Something in Hindi seems to be the better choice for Kick, but somehow this track doesn't disappoint too much. 3.5/5 

Hangover (Remix) keeps Salman Khan and Shreya Ghoshal, but adds an additional, and arguably unnecessary layer of beat to the song, detracting from the orginial beauty of the song. 3/5

Hangover Promo Video

The Hangover is redone in Hangover (MBA Swag). This version is the kind of version you would expect from Hangover combined with Swag. The violins and guitar are stripped from this version and are replaced with EDM fused with Punjabi style Desi Beats. We see the some Hindi rapping from the Meet Bros Anjann additionally. This song does detract from Salman Khan's original, and tends to work on the nerves after some time. 3.5/5

Tu Hi Tu is the second romance song in Kick, featuring rising singer, Mohammad Irfan. Irfan has been up an around the scene, making his territory with Banjaara from Ek Villain. His vocals are just as impressive as his previous songs. Light and airy, he sings this song solo, reaching incredible highs and lows with his voice. This song has a light tone, beginning with piano, and having light guitar and violins later on. Extremely tasteful. 4/5

However, the downside of this song has six versions that I will pay little attention to. So the Tu Hi Tu (Version 1) also by Mohammad Irfan, kicks off with a rap and then a reggae, and R&B beat. No. 2/5

Neeti Mohan also has her own version, Tu Hi Tu (Reprise) and Tu Hi Tu (House Mix). Her reprise version is identical Mohammad Irfan's version and is on par with his vocals. The House Mix takes an EDM reggae twist, that is not at all feasible for this type of romantic song, and uses words like "Grind on Him" and "Shine on Him". 4/5 & 2/5

The third set of versions of Tu Hi Tu are done by Salman Khan, in Tu Hi Tu 2 (Version 2) and Tu Hi Tu (Version 2) Remix. This song doesn't match to Mohammad Irfan's version, but isn't horrible either. Khan's voice sounds a little raspy here and isn't as smooth as Irfan's original vocals. This fortieth Kick remix the same as Mohan's remix and just as bad. 3/5 & 2/5

Yaar Na Miley featuring Yo Yo Honey Singh and Jasmine, is surprisingly the only song that isn't remixed on the Kick soundtrack. This is supposedly the item number of the soundtrack, with Nargis Fakri as the main dancer, which is pretty much all she is good for at this point in her career. This EDM song is a little bland, and offers nothing we haven't heard before. Lyrically, like all item numbers, the item girl is boasting how great she is. Yo Yo Honey Singh's rap is the only bright part of this soundtrack, however he is only it in for a little bit of time. 3.5/5

In the end, Himesh Reshammiya outdoes himself in the Kick soundtrack. Despite the album being weighed down with multiple remixes, this Hindi soundtrack is able to come out as a winner. The soundtrack will definitely help promote the soundtrack, but according to history a Salman Khan movie can't be a failure during Eid. 

My Picks: Tu Hi Tu, Jumme Ki Raat (Version 2) Remix, Yaar Na Miley, Hangover

Keep Reading:

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Humshakals Music Review

Humshakals: Music Review

The Men of Humshakals in 3
different roles

Starring: Ritesh Deshmukh, Saif Ali Khan, Ram Kapoor, Bipasha Basu, Esha Gupta

Music Composer: Himesh Reshammiya 

Similar revolting soundtracks like Humshakals were once heard from our composer Himesh Reshammiya when he went off the deep end in the mid 2000's. He practically sung every song and starred in many flop films. Although recently he somewhat has had success with his film The Expose, Reshammiya seems to be trying too hard again. At least he is not dominating this whole soundtrack. In Bollywood, excluding Salman Khan Ajay Devgan, or Akshay Kumar films, music for comedies are not held to a standard of any regular soundtrack due to the fact that they are usually ridiculous. With an experienced composer with tons of hits and successes like Reshammiya and mid-grade actors like Saif Ali Khan and Ritesh Deskmukh, the bar for Humshakals is very low.

The Humshakals album begins its continuous up tempo soundtrack with Caller Tune by Neeraj Sridhar and Neeti Mohan. This duet is obviously influenced by Reggaeton songs which attributes for its catchy beat. It is heavy with English phases with forced rhymes like tune and moon and random violins. However, Mohan and Sridhar are perfect for this song. The hook "Caller Tune Baby" simultaneously annoys and snags. This is the kind of a song a listener would love to hate. By far the best song on the album. 4/5

Surprise surprise, there is an item number in Humshakals. With the item number queen, Bipasha Basu starring we hear phrases like Billo Rani in Piya Ke Bazaar Mein. It is not the traditional item song, but it is not unordinary. Palak Muchhal's voice is a little timid for this three woman item number, and Reshammiya's weak voice doesn't add much to it either. A little folksy and not very catchy, this item number will not please the masses. 3/5

Piya Ke Bazaar Mein Still

Just Look Into My Eyes gives Humshakals a peppy upbeat feel. Ash King and Neeti Mohan are the perfect choice infuse youth into this album. Perhaps the lyrics a little basic, but if you don't pay attention to exactly what they are saying and listen to the electropop beat, it is not too bad. Although verging on a cheesy teen song, this is levels above the other songs on the album, and does not fit in at all in terms of melody. 4/5

Barbaad Raat combines the female vocalists, Shalmali Kholgade and Sanam Puri in this R&B Hip Hop number. Following the trend of the other songs, this one also uses English in pieces. The clapping and trumpets add an interesting twist, but the "Ooo woaao' pieces don't really do much to really hook you fully to the song. 3.5/5

The ladies are out for a swim

I'm sure everyone was wondering where Himesh Reshammiya's solo song was coming in Humshakals. It is humorously titled Hum Pagal Nahin Hai, and can be taken with dual meaning. Wondering if Reshammiya thinks he's crazy or as shown on silver screen. We see rather interesting rhymes again, such as Obama and DeGama. This song isn't as headache inducing as the ones before it, but is pretty boring and becomes nasal towards the end. 3/5

What would a comedy soundtrack be without Mika Singh? Mika pairs teams up with Palak Muchhal for Khol De Dil Ki Khidi which somehow manages to fuse a Punjabi rhythm with an exasperating country banjo. This song annoys is unforgivable ways that the Caller Tune didn't have. There are so many things going on in this song it is hard to pinpoint what is really happening. This song will, of course, add to the comedy of the movie but it is annoying for the listener to listen for their own enjoyment. 3/5

In the end, Humshakals offers a lively, yet irritating music. This soundtrack somehow manages to exceed expectations, slightly. It is a pretty good effort on Reshammiya's part, although the songs in which his vocals are incorporated in are by far the worst.

My Picks: Caller Tune, Just Look Into My Eyes

Grand Masti: Music Review

Music Directors: Anand Raj Anand, Sanjeev, Darshan

Starring: Ritesh Deshmukh, Aftab Shivdasani, Vivek Oberoi

The music composers were obviously not serious when they composed songs for Grand Masti. There are only five songs on this comedy's soundtrack, and three of them are barely legitimate songs. For a sequel to such a successful comedy, we certainly expect better. Comedies aren't supposed to have amazingly ethereal soundtracks, but at least something along the lines of Ghanchakkar is expected.

Which gay bar should we hit next?

Grand Masti is off to a shaky start with the title track, Grand Masti featuring and composed by Sanjeev, Darshan. They sing alongside female vocalist, Payal Dev. The song begins with English rap and flows into Hindi. It begins to get irritating when they say "Grand Masti Grand Masti Pa Pa Pa Pa" over and over again, however the background beat is solid. 2/5

Zulmi Zulmi is sung by Mika Singh. This annoying countryish beats are as equally bad as Singh's drunken voice. The lyrics are jarring and the instrumentals are headache inducing. Nothing good here. 2/5

Tu Bhi Mood Hai continues with the same kind of trumpet and flute instrumentals the rest of the Grand Masti has. These songs are hard to tell apart from another. This Anand Raj Anand composition is a duet between Wajid Khan and an unaccredited female singer. 3/5

Classy

Grand Masti (Remix) is takes the irritation of the original to the maximum capacity of horribleness. Its just upsetting and techno. Nothing else to say.  1/5

Grand Masti (Mashup) isn't even a real song. Horrible horrible mix of all the songs together. No. 0/5

In the end, Grand Masti is a grand failure. It's like the composers put no real thought into creating a meaningful soundtrack. All of the songs melt into each other to form a huge pool of disaster. There is next to nothing redeeming about this.

Was this soundtrack as bad as I make it seem?

BollywoodBegum

Zanjeer: Music Review

Music Directors: Chitrantan Bhatt, Anand Raj Anand, Meet Bros Anjan and Ankit

Starring: Priyanka Chopra, Ram Charan, Sanjay Dutt

"Not so most comfortable with this hug"

The Zanjeer remake's marketability is off to a rough start with the introduction of the Telegu actor Ram Charan, however Priyanka Chopra will absolutely be the the saving grace when it comes to bringing in the audiences. The three music composers have a lot on their hands with the Zanjeer soundtrack, as it will be compared to the original. 

Zanjeer begins with Mumbai Ka Hero featuring Mika Singh and Talia Benson. This Chitrantan Bhatt
composition the typical roguish hero song that Mika Singh is popular for with bits and pieces of rap and speaking verses tossed in the middle. Its reminiscent of "Udd Udd Dabangg".  I'm sure that Talia Benson is responsible for the horrible female rap intrusion in the middle. Here's a lyric from it, "Oh my god is that your gun?!! Can I hold it pleeeease???" This song offers nothing new and certainly nothing listenable. 2/5

Pinky: Lesser than Munni
Greater than Sheila

The soundtrack continues with the item number Pinky featuring Mamta Sharma and the Meet Bros. This song falls into the Sheila-Munni item number craze. It lacks anything special and almost sounds like a leftover nineties composition. The lyrics are tasteless. [The song picturized on the left] This Meet Bros Anjan Akit composition is a loser. 2/5

Chitrantan Bhatt composes another song in Zanjeer called Lamha Tera Mera. This romantic song by Wajhi Farooki and Palak Muchhal separates itself from the soundtrack with its lighthearted upbeat flavor. These two are a great duo and work so well together to create a special, uplifting song. 5/5

We have another Ankit Bros composition Kochey Pathan Ki Zubaan (Qawaali). It contains all the necessary elements of a qawaali and even features Sukhwinder Singh along with Shabaab Sabri and the Meet Bros. It sounds very similar to Agneepath remake's qawaali number, Shah Ka Rutba. However, it is a mediocre composition that had the potential to be so much more 3/5

Kaatilana is another item number from Zanjeer, but more retro sounding than the traditional Pinky. Shweta Pandit sings her heart out against the disco beats. This song is situtational could definitely danced at a critical part of the movie and compares to Once Upon A Time in Mumbaai's Parda Hai Parda.  2.5/5

The Proper Way to Catch Criminals
Dance In  High Heeled Boots and Shorts

The third item number is Shakila Banoo exclusively features Shreya Ghoshal. Composer Anand Raj Anand knows how to bring in a unique flavor while blending old school with new school, and urban with rural. Ghoshal's voice is naughty enough to pull off this number. Shakila Banoo is high in spice, bringing in various instruments like the tabla and harmonium  and really distinguishes itself from the other two item numbers in Zanjeer. 4/5

Thankfully, there is only one remix in Zanjeer that is Kaatilana M.B.A Club Mix. The song is definitely better this time around due to the extra beat that the other version was lacking previously. Who knows what M.B.A stands for here? Hopefully not a degree.3/5

In the end, the Zanjeer soundtrack is mediocre. The plethora of item numbers overwhelms the soundtrack and lowers its quality as a whole.  The composers seem as if they weren't trying to produce anything special and they certainly didn't except for the two outliers below.

My Picks: Lamha Tera Mera, Shakila Banoo 

Check out my other reviews!
Shuddh Desi Romance: Music Review
Grand Masti: Music Review
BollywoodBegum

Boyss Toh Boyss Hain: Music Review

Music Composers: Anuj Garg, Sayanthi-Shailendra, Willy, Dhiren Raichura, Dhwanit Joshi

Starring: Raj Kumar Yadav, Dhruv Ganesh, Aarya Kumar, Divya Dutta, Gulshan Grover 

Forget the others, I'm interested in the
mannequin without a head

What to say about the music of Boyss Toh Boyss Hain?  First of all the movie has quite a name, so it certainly needs a soundtrack to back it up. We have a variety of composers here, so each track has its own flavor. Boyss Toh Boyss Hain is exciting and experimental.

To kick off Boyss Toh Boyss Hai we have the title track, Boyss Toh Boyss Hain. This Hinglish track is sung by Neeraj Sridhar and Willii. Even though this is a title track, it is actually pretty catchy, especially when the female voice cuts in and says "Hai Ram, Boys Toh Boys Hain". Definitely one of the best on the album. 4/5

The next song we have is Mika Singh's Gol Gol. This song is tinged with Punjabi techno. The "Gol Gol" part  instantly catchy, but it does have English interludes saying "Shake your Booty", similar the booty shake in Chennai Express', One Two Three Four. Click Here For My Chennai Express: Music Review  But besides that booty shake piece, this is a fantastic track with tons of variation 3.5/5

Our most Punjabi style number is Kachha Papad features Labh Janjua and Anuj Garg. There is a interesting mix of rock, R&B, and Punjabi here. The guitar solos are wonderful, but besides these short intervals of instrumentals there is nothing to separate this song from other Punjabi numbers. Decent. 3/5

Out of all these eligible bachelors, I would
choose the creepy silver man in the middle

Mohit Chauhan's voice brings a good balance to the Boyss Toh Boyss Hain album in Sab Kuch Badal Gaya. This song literally begins with all clouds. It is starts of light and airy with a light flute beat, then  builds an inspirational sounding romance song. However, it is interrupted by a voice singing in English, Sayanthi-Shailendra. This spoils the song for only momentarily, until violins and sweet pianos come to the rescue. This is a different kind of song, and not something to be ignored. 3.5/5

Coffee Shop Mein is a song you would expect from a movie called Boyss Toh Boyss Hain. Shashaa Tirupathi's voice is seductive in this entertaining Hinglish number. This is a fast paced number flows rapturously, but there is not necessarily a hook, since the whole song is it a hook itself. 3/5

The composers pull Sunidhi Chauhan and Anup Jalota in for the uplifting song, Dreaming. This song has a light electronic beat, and is sung in Hinglish once again. The lyrics are a little cheesy, but the vocals of both singers are truely magnificent.  Jalota's voice is reminiscent of Bollywood from the seventies and eighties, while Chauhan brings in a modern twist. 4/5

Boyss Toh Boyss Hain returns for a remix. Boyss Toh Boyss Hain Remix picks up the electronic beat and speeds it up a little. There is not a huge difference between the two. 3.5/5

For a smaller film, with mostly unknown composers, Boyss Toh Boyss Hain soundtrack is very good. The composers genuinely tried to create unusual songs while staying true to the Bollywood roots. This soundtrack can work beyond the silver screen and into your car.

My Picks: Boyss Toh Boyss Hain, Dreaming, Sab Kuch Badal Gaya, Gol Gol

Check Out My Other Reviews:
D-Day: http://bollywoodbegum.blogspot.com/2013/06/d-day-music-review.html
Ramaiya Vastavaiya: http://bollywoodbegum.blogspot.com/2013/06/ramaiya-vastavaiya-music-review.html
Issaq:http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html

Which is your favorite Song?
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D-Day: Music Review

Starring: Arjun Rampal, Rishi Kapoor, Irrfan Khan, Huma Qureshi, Shruti Hassan

Music Directors: Shankar-Ehsaan-Loy

The Shankar-Ehsaan-Loy trio is famous for catchy music that is reflective the overall theme of the movie, and  D-Day's music is no exception. D-Day is a Bollywood film that crosses over the border and into Pakistan, when Irrfan Khan is sent to Karachi on a spy mission. After viewing the trailer, it seems what follows is a chaotic, political thriller entangled with romantic trysts. Here we see many of our favorite singers come forward, such as Javed Ali, Shankar Mahadevan, and Sukhwinder Singh.

Mika Singh opens D-Day with the qawwali Duma Dum. This song is a remake of the popular Lal Meri Pat, that we have heard from popular Pakistani artists like Nusrat Fateh Ali Khan, Abida Parveen, and Junoon. The instrumentals are rich and distinguish this song , however this song doesn't compare with the other others vocally. It would have fared better if another singer was put behind the mike. A good attempt, but nothing really new. 3/5

Alvida features Loy Mendonsa, Sukhwinder Singh, Nikhil D'Souza and Shruti Hassan herself . This mellow song has mostly delicate vocals and light instrumentals. Hassans' vocals are whispery and ghostly, but she is able to add a nice touch to the song. Singh and D'Souza's voice really takes this song to a higher level and really highlights the song. 4/5

"Exactly how much curry did you get under
your fingernails"

D-Day has another qawwali-esque song called Murshid Ke Holi. Shankar Mahadevan, Javed Ali, and Munawar Masoom voices blend well together with this traditional beats. The instrumentals are also rich here, as they are throughout D-Day. But what really distinguishes this one from any other fantastic qawwali? Nothing really. It runs over seven and a half minutes, and its so repetitive that its difficult to get all the way through. 3.5/5

Rekha Bhardwaj returns in a solo, Ek Khadi. The tabla is very soothing when used in unison with other instruments, but this song isn't really unique in any way. Not much to say about this one. No repeat value. 3/5

D-Day ends with the short track Dhuaan with Siddharth Madhadevan and Rahul Ram's gritty vocals. The orchestra instrumentals give the song a perilous touch of beautiful doom. It almost sounds like a some type of church prayer and chant. There are not many dark Bollywood songs like this, so something like this is very special.  4/5

If you are a die hard Shankar-Ehsaan-Loy or qawwali fan, just take a few of these songs from D-Day and be on your way.

My Picks: Alvida, Dhuaan

Check out My Other Reviews:

Chennai Express:http://bollywoodbegum.blogspot.com/2013/07/chennai-express-music-review.html

Issaq:http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html

Boyss Toh Boyss Hai:http://bollywoodbegum.blogspot.com/2013/07/boyss-toh-boyss-hai-music-review.html 

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