Issaq: Music Review

Music Director: Krsna, Sachin Gupta, Jigar
Starring: Prateik Babbar & Amrya Dastur

For some reason or another, there hasn't been much of a buzz about the Prateik Babbar starrer, Issaq or its music. The main actress is newcomer, Amrya Dastur. It is rumored that that she plays Juliet in this modern adaptation of the Shakespearean classic. So far not much is known about the movie, but I will confess that the music is superb. Issaq's music is directed by Krsna, Sachin Gupta, and Jigar. So with these great music directors come amazing voices like Mohit Chauhan and Mamta Sharma. Issaq offers unique arrangements and definitely is worth a listen.

So let's begin with the first track of Issaq, Issaq Tera (Male) by Mohit Chauhan.  This song begins with a beautiful instrumentals and continues with flute interludes. Chauhan's voice is smooth and creamy throughout this dreamy romantic number. However, it gets a little repetitive and doesn't have much of a a hook, except for saying Issaq Tera over and over again. 3.5/5

We have a second version to the song, Issaq Tera (Duet), with Mohit Chauhan and Smitha Jain as the lead vocalists. Jain's voice sounds almost ghostly when paired with Chauhan's  and does nothing to enhance the song. The duet runs barely over two minutes, which is too short for any Bollywood track. The male version is much more remarkable. 3/5

 "That boat has such beautiful sails"
"Oh that warship over there coming to kill you?"

Jheeni Re Jheeni Re is Issaq's classical number by Rashid Khan and Pratibha Baghel. It's a slow song complete light tabla and alaaps. The song is very well balanced, since Khan's voice is strong, while Baghel's vocals are very soft. Both vocalists are exceptional at classical singing and truly make the the song. 4/5

Next we have Bhole Chale by Rahul Ram and Sachin Gupta. This song, like several others that come after, is like a village song. This song is wild, and one of vocalists sound like they are screaming throughout. This is definitely some kind of celebration song, and there may be some drunk actors in this one. Bhole Chale becomes a bit more bearable after it reaches the third minutes. Its a little fun to listen to, but its no gem. 2.5/5

The rock song of Issaq is Aag ki Dariya by Ankit Tewari. This angry number has very hard guitar arrangement and vocalists, and Tewari's gritty vocals enhance this song further. The beat and Tewari's voice calms during the interludes, making it a much more pleasurable to the ear. This is by far the best track on the album. 5/5

We have the second version of Aag Ki Dariya (Unplugged) by Sachinn Gupta. The guitar and drums are stripped away for the much softer sweeter sounds of piano and flutes. It sounds like a completely new song. Its a nice a slow for a calm listen. Both version are great in their own way. This one carries a more sorrowful tune, while the original is filled with more anger. 4.5/5

Eene Unne begins with harmonium tying back to the village roots of this Issaq. This is much better than Bhole Chale, and is the dance number of Issaq, if not the item number. Many singers like  Papon, Mamta Sharma, Kirti Sagathiya, and Tarun Sagar are featured here. There some speaking between the male and female on the album, but it doesn't take away much from the songs. The quick instrumentals and vocals make the song very catchy. There are not many songs out like this these days. 4/5

Malini Awasthi and Raghubir Yadav unite for the traditional number Bhagan Ke Rehan Ke.  This is another classical, perhaps a wedding number, but this one doesn't have much of a hook at all. Its pretty good song with sad undertones, but its not a song worth repeated listens. 3/5

Issaq has many great memorable tracks and should not be overlooked. I'm really looking forward to see how all this is picturized on the screen and will hope the audience will recognize this soundtrack's value.

My Picks: Aag Ki Dariya, Aag Ki Dariya (Unplugged), Jheeni Re Jheeni, Eene Unne, Issaq Tera (Male)

Be sure to check out my other reviews:
Once Upon A Time in Mumbai Dobara: http://bollywoodbegum.blogspot.com/2013/07/once-upon-time-in-mumbai-dobara-music.html
Boyss Toh Boyss Hain: http://bollywoodbegum.blogspot.com/2013/07/boyss-toh-boyss-hai-music-review.html
D-Day: http://bollywoodbegum.blogspot.com/2013/06/d-day-music-review.html
Chennai Express: http://bollywoodbegum.blogspot.com/2013/07/chennai-express-music-review.html
Ramaiya Vastavaiya: http://bollywoodbegum.blogspot.com/2013/06/ramaiya-vastavaiya-music-review.htm


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Ramaiya Vastavaiya: Music Review

Music Director: Sachin-Jigar

Starring: Shruti Hassan, Girish Kumar, & Sonu Sood

Chocolate Horses

Shruti Hassan is back in Bollywood with Prabhu Deva's Ramaiya Vastavaiya, and newcomer Girish Kumar. The composers for this album are duo Sachin-Jigar. They worked with other composers like Pritam and AR Rahman  for soundtracks, like Tere Naal Love Ho Gaya and Ekk Deewana Tha. Ramaiya Vastavaiya boasts a variety of numbers, not all memorable.

Our first track Jeene Laga Hoon starts Ramaiya Vastavaiya off just right. Atif Aslam's soft and syrupy voice intertwines well with the magical instrumentals. Shreya Ghoshal's voice plays off his voice and the melody perfectly. This is a beautiful romantic duet with all the elements in the all the right places. Don't miss this one. It will have you addicted. 5/5

Mika Singh and Monali Thakur sing the dance number Hip Hop Pummy. The Punjabi hip-hop style number falls along the same lines of every Punjabi number that has been brought to us in recent times. It's not a bad song, its just not memorable or addictive. 3/5

Shreya and Atif team up again for Bairiya. This is a slower romantic duet than Jeene Laga Hoon. Shreya is more of the dominant voice on this soundtrack, and Atif's voice doesn't seem to fit the slow, romantic quality that is necessary. The instrumentals are of superior quality, but this song doesn't have any worthwhile hook and ends up sounding too long for it's four minute duration. 3/5

Peecha Chhute picks up the pace a little. The beat immediately catches the listeners ear, and then Mohit Chauhan's voice pulls us further in. This fun, frothy number will hook you immediately. It has catchy short interludes of a chorus "Rama Rama Re" that are sliced well into the song. 5/5

 "I hate you like I love you"

Shreya and Atif return for the third time in Ramaiya Vastavaiya  for Rang Jo Lagyo. This song builds beautifully, and features Atif's voice in a falsetto. At times, there seems to be a little strain on the vocals, but the light instrumentals and meaningful lyrics compensate for it. Atif goes solo for the first three and a half minutes and the Shreya takes over momentarily. They are a beautiful duo as usual. 4/5

We have a second dance number, Jadoo Ki Jhappi, that brings us back to the movie's original South Indian roots. This one has instantaneous South Indian flair and features the artists, Neha Kakkar and Mika Singh. Jadoo Ki Jhappi (Part 2) is almost the same except it has Mika Singh solo. Neither one is better than each other. This song is for the item song fanatic and no one else. 3/5

On the whole, Ramaiya Vastavaiya is not a bad album. Most of the songs are just okay, but when the songs are good they are fabulous. Snag the good ones and leave the rest behind.

My Picks: Peecha Chhute, Jeene Laga Hoon, Rang Jo Lagyo 

Check Out My Other Reviews:

Ghanchakkar, Issaq, Raanjhanaa, Lootera, Jab Tak Hai Jaan, Once Upon A Time In Mumbai

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Yeh Jawani Hai Deewani: Music Review

Music Director: Pritam

Starring: Ranbir Kapoor, Deepika Padukone, Kalki Kochelin, Kunaal Roy Kapur

Pritam is back with a new soundtrack, Yeh Jawani Hai Deewani. This Ranbir-Deepika comeback rom-com gives leeway for Pritam to experiment. This soundtrack brings the energizing rhythm, while bringing cool, refreshing songs into the mix. Of course, we can always expect a few memorable songs from Pritam album (stolen or not stolen) and here is no different.

Yeh Jawani Hai Deewani begins with the dance number Badtameez Dil. I have to admit I was obsessed with the 1 minute and 45 second long trailer until the release of the full length song. The sound of the saxophone and the trumpets add a classy touch to the nonsensical lyrics.Words flow seamlessly into each other like aloo bhatt, puri bhatt, and  bollywood, hollywood, jollygood. There is lots of rhymes and alliteration, so once Benny Dayal's voice pulls you in it never lets you go. However, Shefali Alvaris' voice is not very pleasant when it comes in at the end of the song. It sounds electronic and autotuned, and does not tie into Benny's smooth word flow. To me it should have been Benny solo. Nevertheless, still a good song. 4/5

Next is Balam Pichkari featuring Shalmali Kholgade and Vishal Dhadlani. Shalmali's voice is a bit eccentric, but its just what it takes to kick-start the song, after the traditional beginning. This is fun, quirky Holi song, we have traditional sounds with violin and whistling. The lyrics are as fun as the beat, and Shalmali and Vishal make an amazing pair. This song is a winner all the way through. 5/5

Our Mohit Chauhan track is Illahi. The song begins with chanting and guitar. This is definitely the young man refreshing song of the album. Illahi separates itself from the first two songs. In the interludes, there is a chorus of children chanting "Na Na Na". Because of the chorus wouldn't listen to this song on its own, but I think this works very well in the movie. 3/5

Yeh Jawani Hai Deewani picks up again with Dilliwali Girlfriend featuring Arjit Singh and Sunidhi Chauhan.  This one has small touches of bhangra and has a desi tune with some English thrown in the middle. This sounds like a typical Pritam wedding song, almost like Soniye Ve Dhak Dhak from Kismat Konnection. Pritam seemed to copy his own style this time. Its a good track, but its really nothing new. 3/5

There are two versions of Kabira. Kabira (Original) features Tochi Raina and Rekha Bhardwaj. This song slow rock melody and both artists' voice are raw with pain. The second version, Kabira (Encore) by Hashdeep Kaur and Arjit Singh has much more soul. We have a more traditional song with a lighter melody in this outing. The chorus and Indian instrumental enhances the beauty of this song.  The encore is like a slow, peaceful ride through the countryside. 3/5 & 5/5

Sreeram and Shilpa Rao's Subhanallah is the romantic duet of Yeh Jawani Hai Deewani. Its a light, uplifting song about falling in love that borders on cheesy at
times. To me, it sounds like a re-creation of Shukraan Allah from Kurbaan. Nevertheless, its fresh and exhilerating, with Sreerams squeaky clean vocals. 4/5

Lastly, there is Ghagra our item number staring Madhuri Dixit. So we have a older woman's voice, Rekha Bhardwaj, and a younger man's voice, Vishal Dhadlani. This song begins slow, but picks up pace. However, it lacks the spice and flash that other item numbers have. There are some hooks, but more is needed to make this song a chartbuster. 3.5/5

In the end, Yeh Jawani Hai Deewani has a few fantastic numbers, but most of the songs are lacking elements that will help them stand out from other songs like its kind.

My Picks: Balam Pichkari, Kabira (Encore), Badtameez Dil, Subhanallah

Issaq: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html

Ghanchakkar: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviewsghanchakkar.html

Lootera:http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-lootera.html

Raanjhanaa: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviews-raanjhanaa.html

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Once Upon A Time in Mumbaai: Film Review

On the cusp of the release of Once Upon a Time in Mumbaai Again/Dobara, I figured I would watch the first Once Upon a Time in Mumbaai, a seventies era film.This movie is rumored to be loosely based on real-life gangsters,  Haji Mastan and Dawood Ibrahim.What drew me to this movie was: Emraan Hashmi, Kangna Raunat and the soundtrack. After the disaster that was Himmatwala this year, I didn't really want to see Ajay Devgan's face again, but I reluctantly dug into the past and pulled this movie out.

 Once Upon a Time in Mumbaai begins with a cop, Agnel Wilson (Randeep Hooda) who tries to kill himself by driving his car into a river. When he is taken in by his commanding officer for questioning he narrates our movie to us. It begins with a young orphan,Sultan Mirza, (later played by Ajay Devgan) who shovels coal for just a few rupees a day. Pretty soon he begins to smuggle for rich men, and then bham, he is now the biggest underworld don.

Our little gangster has a crush

Sultan is a benevolent don. He divides Mumbai into four regions, refraining from giving one person total power. He also does not smuggle contraband, so therefore he is looked at as having higher integrity than the others like him. Our big bad white suit wearing gangster Sultan, however has a childlike crush on leading actress Rehana (Kangna Raunat). He does ridiculous, but amusing things to get her attention. He buys a guava for 400 rupees and presents it to her, he waits for her for 18 days at her favorite restaurant, and he even eats bitter gourd for her. What a guy! So they eventually fall in love, hence Rahat's Tum Jo Aaye Zindagi Mein. Their love story is the cutest part of the movie, but its fades away so quickly as Agnel closes in and our second star, Shoaib Khan (Emraan Hashmi) surfaces.

So we see our Dawood Ibrahim, Shoaib, as a bratty child in the beginning, starkly contrasting Sultan's demeanor at a child. He is a defiant, hot-blooded young thing who likes to steal change out of pay phones with his chubby accomplice. He threatens the man who reports him and takes him to his police officer father. When Shoaib grows up he is an even more disgusting person. He harasses customers at the store where love interest, Mumtaz (Prachi Desai) works and commits with robberies.

I think you should dress up like Dimple Kapadia from Bobby. Do it.

 His police officer dad for some ridiculous reason asks Sultan to take take Shoaib under his wing. This when the trouble starts in Once Upon A Time in Mumbaai. Shoaib's character is barely endearing besides the scene where he buys Mumtaz liquor and a snack mix with his first paycheck, claiming that this is what he does with his friends, and he doesn't know what to do for girls. So, basically Shoaib being the disgusting person he is, tries to overthrow Sultan to take over power.

The events in the Once Upon a Time in Mumbai pan out realistically and the acting is top notch. The women unfortunately aren't essential to the plot, but they did add some romance and release of tension. Ajay Devgan is easily the most likable character. It is almost as if he was tailor made for this role. The best part about Sultan's character is that he was flawed, but still lovable. Hashmi's character, on the other hand, was so easy to hate and so hard to love. So in the end, the music was fabulous, the plot moved quickly, and the acting was great. The downside was that all police mama drama gets a little boring sometimes, but give it a chance, you won't regret Once Upon A Time in Mumbaai, like I regretted Himmatwala.

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Lootera: Music Review

Music Director: Amit Trivedi

Starring: Ranveer Singh & Sonakshi Sinha

So our creative composer Amit Trivedi has released another soundtrack for the Bollywood drama Lootera. So this being a Bengali period movie, we can expect the film to be laden in beautiful classical numbers, reflecting the fifties. It also has to look believable coming from our young stars, Ranveer Singh and Sonakshi Sinha's mouths. The music has simplistic, light melodies so this is not our typical Trivedi outing. However, Lootera's music does leave a couple solid numbers behind.

So we begin with Sawar Loon sung by Monali Thakur. This syrupy sweet song is song in a Shreya-style manner and definitely ties in with the fifties feel. There is both classical Indian fifties and classical American fifties blended well together. It sounds very youthful, especially with the bell tinkling sounds in the background. It will definitely work well with Sinha's age. 4/5

Then there is Ankhahee. The piano in this song's backdrop are extremely beautiful when paired with Amitabh Bhattacharya's controlled, soulful voice. He doesn't hit high notes in the song, and keeps it nice a slow. Intermittently there are interludes of gorgeous instrumentals.4/5

Our traditional Bangla number of Lootera is Monta Re is just lovely. It fits with the soundtrack so well but offers something different. This song can be easily seen behind action with the characters, or by a gathering group of people sitting together. There is a light beat in the background, one of them being bells. 4/5

Next in Lootera we have yet another song from Amitabh Bhattacharya called Shikayaten. This is soft rock song with flutes. I could see this in Three Idiots for some reason. Bhattacharya's voice sounds good in this song, but it just sounds a little strained as he attempts to climb to higher notes. The instrumentals and vocals in this song are certainly not light enough for the kind of mood that the movie has established. This song perhaps could be used when Ranveer Singh and Sonakshi Sinha are going through some problem. Not my favorite. 3/5

Amit Trivedi comes into the vocal spotlight in Zinda. This song has a rough, rock edge to it. His voice is slow, but it overtaken by strong dramatic instrumentals. In this Lootera song there  total mismatch between vocals and instrumentals. Stands out from the rest of the album in a bad way. 2/5

Just another awkward walk through the forest

Lastly, we have Shilpa Rao and Amitabh Bhattacharya in Manmarziyan. This is mostly Shilpa song's, but Bhattacharya voice slips in between with a haunting quality. The melody on this is light, complete with the sound of bells (ghungroos) that we have been hearing throughout the soundtrack. This song lets Shilpa's strong, deep vocals shine through. However, the slowness of the song could make the listener loose patience. 3.5/5

Lootera is a pretty good soundtrack, but as said earlier is an unusual outing for Trivedi. Most of it is fifties traditional minimalism and its quite beautiful. I would love to see how this all will play out on screen.

My Picks: Ankahee, Monta Re, Sawar Loon

Remember requests are taken! Send a comment out and tell me which Bollywood soundtrack you want to hear about!

Check out my other music reviews:
Issaq: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html
Ghanchakkar: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviewsghanchakkar.html
Raanjhanaa: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviews-raanjhanaa.html
Yeh Jawani Hai Deewani: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-yeh-jawani-hai.html

Comments Are Always Welcome!

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Raanjhanaa: Music Review

Music Director: A.R Rahman

Starring: Sonam Kapoor & Dhanush

So if you didn't know, A.R Rahman is back in Bollywood with a new soundtrack. It's Raanjhanaa from the makers of Tanu Weds Manu. A.R didn't really leave us with much memorable tracks in Jab Tak Hai Jaan, so I'm hoping this time he fares better.

So Raanjhanaa stars Sonam Kapoor with the Tamil actor, Dhanush. Unfortunately, Abhay Deol makes an extended appearance in the film as well (not a fan). The movie is slated to be released on June 21st. So far the trailers for Raanjhanaa look good, though I am still unsure what the movie is all about. Anyway, lets get down to the music.

Our first song is Raanjhanaa by Shiraz Uppal and Jaswinder Singh- You may remember Uppal from "Roya Re" from Dhoka. It's great to see him back, especially in combination with Jaswinder Singh. It is a very triumphant traditional, feel good song. However, is the title song in the movie, so it does title songs, attachment have like "Jab Tak Hai Jaan" from Jab Tak Hai Jaan. 3.5/5

Next we have Banarasiya sung by mainly Shreya Ghoshal, with contributions from two other female vocalists: Anwesha Gupta, Meenal Jain. This is the sole female folk song with Shreya at the heart. Her voice is sweet and soulful through the highs and lows. The flute and drum instrumentals are beautifully done draw you in. However, the song doesn't have a hook till these instrumentals. 3.5/5

Our main Sufi song of the album is Piya Milenge by Sukhwinder Singh, Sufi Ensemble. A.R combined with Sukhwinder is always a magical combination. Surely everyone recalls Chaiya Chaiya.  Sufi pieces are beautifully laced through this song, while Sukhwinder focuses more with instrumentals for a slight rock feel. 4/5

Ay Sakhi features three female voices taking equivalent parts: Madhushree, Chinmanyi, Vaishali Samant.  This song consists group of women singing and talking with each other. It's not enjoyable to listen to in leisure, but it will probably make sense so where in the movie. I deleted this one. 2/5

Our romantic duet of Raanjhanaa,  Nazar Lagi sung by Rashid Ali, Neeti Mohan, Nakash Aziz. This is one of my favorites on this album. It is a laid back melody complete with slow guitar. I haven't heard Mohan's before, but her voice goes well with Ali's. Every Rahman soundtrack needs a number that really slow and dripping in love, this is it. 5/5

Rabbi Shergill is back in Tun Mun Shudi. The contemporary cool guy solo song, basically is the male counterpart of Banarasiya. It is uplifting and has interesting multilayers of vocals and instrumentals. 4/5

Our slowest number of Raanjhanaa is Aise Na Dekho is sung and composed by A.R Rahman himself. It comes as no surprise that this song sounds sounds good. In the background we have slow jazz beat, but at the same time the songs stays close to the traditional sounds with the instrumentals and the whistling. It almost sounds like an unplugged version. This one an old school charm. 4/5

Rahman loves his instrumental numbers. The Land of Shiva is able to measure up to his past ones. I've always been a huge fan of Rahman's instrumentals. "Ishq Dance" from Jab Tak Hai Jaan and "Liquid Dance" from Slumdog Millionaire were amazing. This one is great. Its suspenseful, with a lot of bell ringing and horn blowing. Its almost as if you were trapped in a chaotic mandir. 4.5/5

Another romantic number Tum Tak by Javed Ali, Keerthi Sagathia, Pooja Vadiyanath excels. Traditional instrumental all the way through, as well as lots of traditional singing techniques. The female voice works well with Javed Ali's in this instance, to give this romantic number a fun, playful feel. There are a lot of hooks and variety to this song. Every time I listen to it I notice something new. 4.5/5

Overall Raanjhanaa is a great soundtrack that gets better as we go through the tracks. Compared to the Bollywood music releasing these days, this is a gold. Good job Rahman!

My Picks: Nazar Lagi, Tum Tak, Tun Mun Shudi, Piya Milenge

Check Out my Other Reviews:

Issaq: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-issaq_21.html
Ghanchakkar: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-reviewsghanchakkar.html
Lootera:http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-lootera.html
Yeh Jawani Hai Deewani: http://bollywoodbegum.blogspot.com/2013/06/bollywood-music-review-yeh-jawani-hai.html

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Ghanchakkar: Music Review

Music Director: Amit Trivedi

Starring: Emraan Hashmi & Vidya Balan

Every time a new Emraan Hashmi album is released I am one of the first people to get it. Like others, I believe that no matter who composes the soundtrack or directs the movie, anything with Emraan Hashmi will have good music. My evidence is based upon  non-Bhatt banner films like Dil Diya Hai and The Dirty Picture. Let's get started with Ghanchakkar.

Its a comedy staring Vidya Balan and Emraan Hashmi. It's their second time on the silver screen, after The Dirty Picture. Our director this time is Raj Kumar Gupta, who made Aamir and No One Killed Jessica. The music composer is for Ghanchakkar is Amit Trivedi, who has brought us unique arrangements in the past from  films like Dev.D, Ishaqzaade, and Aiyyaa.

Staying true to it's tittle, the soundtrack of Ghanchakkar is crazily good. The arrangements and combinations are totally out of this world, and its surprising that all of these different elements work so pleasantly together on the ear. We have a mixture of mainly old school disco, electronica, and traditional sounds.

The first track on the album is Lazy Lad sung by Richa Sharma. This song has an interesting blend of  upbeat traditional and county sounds, like the banjo in combination with the dhol. Like the other tracks in Ghanchakkar, Lazy lad is very desi with a lot of clever English words thrown in the middle. It's a fun song where an annoyed wife nags her husband in a million clever ways.

Next is our qawwali track, Allah Meherbaan, by Divya Kumar. This probably the best song on this soundtrack. The qawwali style fuses really well with the electronica sounds, it also sounds like a deliciously good remix of a old school qawwali. The background beat carries the song so well, and catches the listener's ears from the first second.

"You kinda look like that guy from The Dirty Picture" 

Our third track is Ghanchakkar's title song, Ghanchakkar Babu sung by Amit Trivedi himself. The song lyrically and musically makes no sense, but that's what makes it so entralling. It works. It Trivedi's voice captivates the listener immediately. This hilarious song has an old school disco beat that you would hear in seventies Bollywood, complete with trumpets. The only hang up I have about this song is the intermittent female voice saying "Yeah Yeah Yeah" among other things. I really felt the song could do without. Next we have Ghanchakkar Babu the remix. This is just a sped up version with an additional beat. Unless you want to party with this, stick to the original version.

Allah Meherbaan Still

The last track Jolu Ram by Altaf Raj. This piece has a classical, as well as disco arrangement  and delightfully sounds as if it was crooned by a drunken man. We have interludes of the man speaking reminiscent of the popular song, Kolveri Di. The song like Lazy Lad and the others are dotted with English pieces which further enhance the songs. We have all kinds of fun words like dal makhani, digestion, and frustration thrown into Jolu Ram.

Ghanchakkar is definitely a quirky ride.  It is exactly the type of music you would should be in every Bollywood comedy. Not only is it hilarious, it is pleasant to listen to. So much of this soundtrack will have you smiling. There is not a bad song in this album. I really wish there was more on this album. Four tracks and a remix are too little. Once again, Emraan Hashmi doesn't fail to disappoint. Good job Trivedi. Remember to not forget this one!

My Picks: Allah Meherbaan, Lazy Lad, Ghanchakkar Babu, Jolu Ram

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